Автор: Leader, Michael Cunningham, Jake Название: Ghibliotheque anime movie guide ISBN: 1802792880 ISBN-13(EAN): 9781802792881 Издательство: Carlton Books Рейтинг: Цена: 3168.00 р. Наличие на складе: Есть (3 шт.) Описание: An accessible beginner`s tour to the wildly popular world of Japanese animated cinema.
Название: Lost cinema of mexico ISBN: 1683403053 ISBN-13(EAN): 9781683403050 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4389.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Lost Cinema of Mexico is the first volume to challenge the dismissal of Mexican filmmaking during the 1960s through 1980s, an era long considered a low-budget departure from the artistic quality and international acclaim of the nation's earlier Golden Age. This pivotal collection examines the critical implications of discovering, uncovering, and recovering forgotten or ignored films.This largely unexamined era of film reveals shifts in Mexican culture, economics, and societal norms as state-sponsored revolutionary nationalism faltered. During this time, movies were widely embraced by the public as a way to make sense of the rapidly changing realities and values connected to Mexico's modernization. These essays shine a light on many genres that thrived in these decades: rock churros, campy luchador movies, countercultural superocheros, Black melodramas, family films, and chili westerns.Redefining a time usually seen as a cinematic "crisis," this volume offers a new model of the film auteur shaped by productive tension between highbrow aesthetics, industry shortages, and national audiences. It also traces connections from these Mexican films to Latinx, Latin American, and Hollywood cinema at large.
Katherine Singer Kov?cs Book Award, Society for Cinema and Media Studies, 2011
With a cast ranging from Pancho Villa to Dolores del Río and Tina Modotti, Constructing the Image of the Mexican Revolution demonstrates the crucial role played by Mexican and foreign visual artists in revolutionizing Mexico's twentieth-century national iconography. Investigating the convergence of cinema, photography, painting, and other graphic arts in this process, Zuzana Pick illuminates how the Mexican Revolution's timeline (1910–1917) corresponds with the emergence of media culture and modernity.
Drawing on twelve foundational films from Que Viva Mexico! (1931–1932) to And Starring Pancho Villa as Himself (2003), Pick proposes that cinematic images reflect the image repertoire produced during the revolution, often playing on existing nationalist themes or on folkloric motifs designed for export. Ultimately illustrating the ways in which modernism reinvented existing signifiers of national identity, Constructing the Image of the Mexican Revolution unites historicity, aesthetics, and narrative to enrich our understanding of Mexicanidad.
The concept of North American borderlands in the cultural imagination fluctuated greatly during the Progressive Era as it was affected by similarly changing concepts of identity and geopolitical issues influenced by the Mexican Revolution and the First World War. Such shifts became especially evident in films set along the Mexican and Canadian borders as filmmakers explored how these changes simultaneously represented and influenced views of society at large.
Borderland Films examines the intersection of North American borderlands and culture as portrayed through early twentieth-century cinema. Drawing on hundreds of films, Dominique Brégent-Heald investigates the significance of national borders; the ever-changing concepts of race, gender, and enforced boundaries; the racialized ideas of criminality that painted the borderlands as unsafe and in need of control; and the wars that showed how international conflict significantly influenced the United States’ relations with its immediate neighbors. Borderland Films provides a fresh perspective on American cinematic, cultural, and political history and on how cinema contributed to the establishment of societal narratives in the early twentieth century.
In Public Spectacles of Violence Rielle Navitski examines the proliferation of cinematic and photographic images of criminality, bodily injury, and technological catastrophe in early twentieth-century Mexico and Brazil, which were among Latin America’s most industrialized nations and later developed two of the region’s largest film industries. Navitski analyzes a wide range of sensational cultural forms, from nonfiction films and serial cinema to illustrated police reportage, serial literature, and fan magazines, demonstrating how media spectacles of violence helped audiences make sense of the political instability, high crime rates, and social inequality that came with modernization. In both nations, sensational cinema and journalism—influenced by imported films—forged a common public sphere that reached across the racial, class, and geographic divides accentuated by economic growth and urbanization. Highlighting the human costs of modernization, these media constructed everyday experience as decidedly modern, in that it was marked by the same social ills facing industrialized countries. The legacy of sensational early twentieth-century visual culture remains felt in Mexico and Brazil today, where public displays of violence by the military, police, and organized crime are hypervisible.
In Public Spectacles of Violence Rielle Navitski examines the proliferation of cinematic and photographic images of criminality, bodily injury, and technological catastrophe in early twentieth-century Mexico and Brazil, which were among Latin America’s most industrialized nations and later developed two of the region’s largest film industries. Navitski analyzes a wide range of sensational cultural forms, from nonfiction films and serial cinema to illustrated police reportage, serial literature, and fan magazines, demonstrating how media spectacles of violence helped audiences make sense of the political instability, high crime rates, and social inequality that came with modernization. In both nations, sensational cinema and journalism—influenced by imported films—forged a common public sphere that reached across the racial, class, and geographic divides accentuated by economic growth and urbanization. Highlighting the human costs of modernization, these media constructed everyday experience as decidedly modern, in that it was marked by the same social ills facing industrialized countries. The legacy of sensational early twentieth-century visual culture remains felt in Mexico and Brazil today, where public displays of violence by the military, police, and organized crime are hypervisible.
Автор: Livia K. Stone Название: Atenco Lives!: Filmmaking and Popular Struggle in Mexico ISBN: 0826522246 ISBN-13(EAN): 9780826522245 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4712.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The People`s Front in Defense of Land of Atenco (the "Frente") is an emblematic force in contemporary Mexican politics and in anti-capitalist, anti-neoliberal networks throughout the world. Documentary filmmaking has been one aspect of the Frente and its allies` efforts. This book highlights the importance of this aspect of the Frente`s work.
Автор: Livia K. Stone Название: Atenco Lives!: Filmmaking and Popular Struggle in Mexico ISBN: 0826522238 ISBN-13(EAN): 9780826522238 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 11504.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The People`s Front in Defense of Land of Atenco (the "Frente") is an emblematic force in contemporary Mexican politics and in anti-capitalist, anti-neoliberal networks throughout the world. Documentary filmmaking has been one aspect of the Frente and its allies` efforts. This book highlights the importance of this aspect of the Frente`s work.
Автор: Richards Jeffrey Название: Lost Worlds of John Ford ISBN: 1350114707 ISBN-13(EAN): 9781350114708 Издательство: Bloomsbury Academic Рейтинг: Цена: 15048.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The great director John Ford (1894-1973) is best known for classic westerns, but his body of work encompasses much more than this single genre. Jeffrey Richards develops and broadens our understanding of Ford's film-making oeuvre by studying his non-Western films through the lens of Ford's life and abiding preoccupations. Ford's other cinematic worlds included Ireland, the Family, Catholicism, War and the Sea, which share with his westerns the recurrent themes of memory and loss, the plight of outsiders and the tragedy of family breakup. Richards' revisionist study both provides new insights into familiar films such as The Fugitive (1947); The Quiet Man (1952), Gideon's Way and The Informer (1935) and reclaims neglected masterpieces, among them Wee Willie Winkie (1937) and the extraordinary The Long Voyage Home. (1940).
Описание: What could there possibly be about Christmas that needs to be "saved"? Christmas isn`t dead, not by a long shot. But when in the movies Santa Claus is in trouble, Christmas is in trouble and must be "saved." Explore 53 reasons for saving Christmas in this lighthearted collection of 228 films from theatrical releases to television movies and specials to episodes of television series.
Автор: Olson Debbie C., Scahill Andrew Название: Lost and Othered Children in Contemporary Cinema ISBN: 0739190741 ISBN-13(EAN): 9780739190746 Издательство: Bloomsbury Рейтинг: Цена: 6980.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Climate Change and the Course of Global History presents the first global study by a historian to fully integrate the earth-system approach of the new climate science with the material history of humanity. Starting with the role of environmental change in biological and human evolution, the book uses the results of three decades of climate science to present a new understanding of human history.
Автор: Martin-jones, David (university Of Glasgow, Uk) Название: Cinema against doublethink ISBN: 1138907944 ISBN-13(EAN): 9781138907942 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Cinema against Doublethink uncovers how a world of cinemas acts as a giant archive of these lost pasts, a vast virtual store of the world`s memories.
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