Автор: Pack, Susan Название: Film posters of the Russian avant-garde ISBN: 3836589524 ISBN-13(EAN): 9783836589529 Издательство: Taschen Рейтинг: Цена: 6641.00 р. Наличие на складе: Есть (более 5-х шт.) Описание: This book shows 250 film posters from the Soviet Union of the 1920s and early 1930s, revealing a surprising world of innovative aesthetics. With bold colors, dramatic angles, and eye-catching typography, these designs reveal the experimental avant-garde of the early USSR, before Soviet Realism became official art doctrine.
Описание: This book compiles a selection of publications - photobooks and magazines, along with other related documents - demonstrating the great flowering of typography, photomontage and photobooks in the Soviet Union in the period between 1913 and 1941. Art applied to book and magazine production achieved its most magnificent expression through the avant-garde movements at the beginning of the 20th century and gained a particular importance in the Soviet Union, as clearly shown in this spectacular book. All thanks to the rise of artistic movements such as Suprematism and constructivism, and also due to the partnership between Russian artists and graphic designers, and their close ties to the poetic and literary circles. The book, which exquisitely reproduces an enormous quantity of documents, coincides with the exhibition of the same name hosted by the Cнrculo de Bellas Artes in Madrid. All of the material included in the Avant-garde and Propaganda exhibition and catalogue comes from the Lafuente Archive, whose extensive collection of Russian avant-garde and Soviet realism work includes more than 1,300 pieces.
It is the catalogue to an enormous exhibition currently on show at the Circulo de Bellas Artes in Madrid.
Автор: Rasula Jed Название: Acrobatic Modernism from the Avant-Garde to Prehistory ISBN: 0198833946 ISBN-13(EAN): 9780198833949 Издательство: Oxford Academ Рейтинг: Цена: 15048.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Moving through a vast geographical, cultural, and artistic terrain and juxtaposing numerous modernist works, this volume explores the multiplicity of modernism and provides in-depth case studies, including of James Joyce`s Finnegans Wake, the reception of jazz music in Europe, and the Cubist movement in the visual arts.
Название: Modernism and the Avant-garde Body in Spain and Italy ISBN: 0367873362 ISBN-13(EAN): 9780367873363 Издательство: Taylor&Francis Рейтинг: Цена: 7501.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book explores bodily thinking in avant-garde texts from Spain and Italy of the early 20th century and their relevance to modernist preoccupations with corporeality, examining the body as a locus for various aesthetic and sociopolitical considerations, and challenging the center/periphery frameworks of European cultural modernism.
Автор: David Ayers, Iveta Slavkova, Kate Kangaslahti, Li Lin, Sascha Bru Название: Crisis: The Avant-Garde and Modernism in Critical Modes ISBN: 3110773864 ISBN-13(EAN): 9783110773866 Издательство: Walter de Gruyter Рейтинг: Цена: 23988.00 р. Наличие на складе: Нет в наличии.
Описание:
Notions of crisis have long charged the study of the European avant-garde and modernism, reflecting the often turbulent nature of their development. Throughout their history, the avant-garde and modernists have both confronted and instigated crises, be they economic or political, aesthetic or philosophical, collective or individual, local or global, short or perennial.?The seventh volume in the series European Avant-Garde and Modernism Studies addresses the myriad ways in which the avant-garde and modernism have responded and related to crisis from the late nineteenth to the twenty-first century.
How have Europe’s avant-garde and modernist movements given aesthetic shape to their crisis-laden trajectory? Given the many different watershed moments the avant-garde and modernism have faced over the centuries, what common threads link the critical points of their development? Alternatively, what kinds of crises have their experimental practices and critical modes yielded??The volume assembles case studies reflecting upon these questions and more from across all areas of avant-garde and modernist activity, including visual art, literature, music, architecture, photography, theatre, performance, curatorial practice, fashion and design.
Описание: At the centre of Decolonising Intercultural Education is a simple yet fundamental question: is it possible to learn from the Other? This book argues that many recent efforts to theorise interculturality restrict themselves to a variety of interpretations within a Western framework of knowledge, which does not necessarily account for the epistemological diversity of the world.
Автор: Sarah Posman, Anne Reverseau, David Ayers, Sascha Название: The Aesthetics of Matter: Modernism, the Avant-Garde and Material Exchange ISBN: 3110317370 ISBN-13(EAN): 9783110317374 Издательство: Walter de Gruyter Рейтинг: Цена: 22305.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Forschungsinitiativen zum Thema Avantgarde und Moderne nehmen in der europaischen Forschungslandschaft weiterhin zu. Die experimentellen Literaturen und die Kunste in Europa zwischen ca. 1850 und 1950 und ihre Nachwirkungen sind als Lehr- und Forschungsbereiche an den europaischen Forschungsinstitutionen und in den Lehrplanen heutzutage nicht mehr wegzudenken. Avantgarde und Moderne haben sich in den letzten Jahrzehnten zu unterschiedlichen, aber mehrfach miteinander verzahnten Forschungsgebieten entwickelt. Innerhalb der franzosischen und deutschen akademischen Welt bleibt der Sammelbegriff „modernism" weniger gelaufig – „die (klassische) Moderne" und „modernite" fungieren hier als nahe liegende Aquivalente zu demjenigen, was im internationalen Kontext als eine zeitliche und raumliche Ko-Okkurenz kunstlerischer Ausdrucksformen und asthetischer Theorien namhaft gemacht werden kann, die ungefahr zwischen 1850 und 1950 angesiedelt werden kann. Auf ahnliche Weise entfaltet die Bezeichnung „Avantgarde" eine Reihe haufig widerspruchlicher Konnotationen. Fur manche bedeutet die Avantgarde den radikalsten experimentellen Bruch der Kunste und Literaturen mit den Darstellungs- und Erzahlkonventionen des 19. Jahrhundert: Im fruhen zwanzigsten Jahrhundert zeugen davon Avantgardebewegungen wie Futurismus, Expressionismus, Dada und Surrealismus, d.h. Stromungen, die als die „heroische" Phase der Avantgarde bezeichnet werden konnen. Fur andere gehort die Avantgarde zu einer kulturellen und konzeptuellen Ordnung, die sich weitgehend von der 'modernistischen' unterscheidet oder sogar abhebt: Die avantgardistischen Experimente ab den funfziger Jahren des zwanzigsten Jahrhunderts kommen in dieser Hinsicht weitgehend ohne modernistische Begleiterscheinung aus. Die Buchreihe Studien zur Europaischen Avantgarde und Moderne mochte der Kompliziertheit der unterschiedlichen europaischen Forschungstraditionen gerecht werden und strebt danach, die breite linguistische, terminologische und methodologische Vielfalt abzudecken. Anhand einer zweijahrlichen Sammlung von Beitragen in englischer, franzosischer und deutscher Sprache mochte die Reihe nicht nur die franzosisch-, deutsch- und englischsprachigen, sondern auch die nord-, sud-, zentral- und osteuropaischen Ergebnisse der Avantgarde- und Moderne-Forschung einbeziehen. Die Reihe sammelt die neuesten und ertragreichsten Beitrage zur Forschung und widmet sich der Erforschung der gesamten europaischen Avantgarde und Moderne, ihrer Vorlaufer und ihrem Nachklang im Laufe des 19. und 20. Jahrhunderts. Die Studien zur Europaischen Avantgarde und Moderne fordern die interdisziplinare und intermediale Erforschung experimenteller Asthetiken und Poetiken und setzen es sich zum Ziel, das Interesse an den kulturellen Zusammenhangen und Kontexten der Avantgarde und der Moderne in Europa anzuregen. Beitrage werden internationalen Experten zur anonymen Begutachtung vorgelegt. Chefredakteure: Sascha Bru (Leuven University) und Peter Nicholls (New York University). Redaktionsausschuss: Jan Baetens (Universitat Leuven), Hubert van den Berg (Universitat Groningen), Benedikt Hjartarson (University of Iceland) undTania Orum (Universitat Kopenhagen). Beratungsausschuss: Dawn Ades (University of Essex), Wolfgang Asholt (Universitat Osnabruck), Karlheinz Barck (Zentrum fur Literatur- und Kulturforschung Berlin), Henri Behar (Paris III, Sorbonne nouvelle), Timothy O. Benson (LACMA), Gunter Berghaus (University of Bristol), Stefano Boeri (Multiplicity & Universita luav di Venezia), Endre Bojtar (Central European University, Budapest), Christina von Braun (Humboldt Universitat zu Berlin), Peter Burger (Universitat Bremen), Matei Calinescu (University of Indiana), Claus Cluver (University of Indiana), Antoine Compagnon (College de France), Maria Delaperriere (INALCO, Paris), Pascal Dethurens (Universite de Strasbourg), Eva Forgacs (College of Design, Pasadena), Hans Gunther (Universitat Bielefeld), Cornelia Klinger (Eberhard-Karls Universitat Tubingen), Rudolf Kuenzli (University of Iowa), Bruno Latour (Institut d'Etudes Politiques de Paris), Paul Michael Lutzeler (Washington University of St. Louis), Laura Marcus (University of Edinburgh), Richard Murphy (University of Sussex), Francois Noudelmann (Universite de Paris VIII), Krisztina Passuth (University of Budapest), Marjorie Perloff (Stanford University/University of Southern California), Michel Poivert (Paris I, Pantheon-Sorbonne), Susan Rubin-Suleiman (Harvard University), Rainer Rumold (Northwestern University), Jean-Yves Tadie (Paris IV, Sorbonne), Brandon Taylor (University of Southhampton), Andrew Webber (Churchill College, Cambridge).
Описание: This book tells the story of critical avant-garde design in Japan. It challenge the characterisation of Japanese design as beautiful, sublime or a simple product of `Japanese culture`, and reveal the ways in which material and visual culture can serve to voice protest and formulate social critique. -- .
Описание: Shirakaba and Japanese Modernism examines the most significant Japanese art and literary magazine of the early twentieth century, Shirakaba (White Birch, 1910-1923). In this volume Erin Schoneveld explores the fluid relationship that existed between different types of modern visual media, exhibition formats, and artistic practices embraced by the Shirakaba-ha (White Birch Society). Schoneveld provides a new comparative framework for understanding how the avant-garde pursuit of individuality during Japan's Taishō period stood in opposition to state-sponsored modernism and how this played out in the emerging media of art magazines. This book analyzes key moments in modern Japanese art and intellectual history by focusing on the artists most closely affiliated with Shirakaba, including Takamura Kōtarō, Umehara Ryūzaburō, and Kishida Ryūsei, who selectively engaged with and transformed modernist idioms of individualism and self-expression to create a new artistic style that gave visual form to their own subjective reality. Drawing upon archival research that includes numerous articles, images, and exhibitions reviews from Shirakaba, as well as a complete translation of Yanagi Sōetsu's seminal essay, "The Revolutionary Artist" (Kakumei no gaka), Schoneveld demonstrates that, contrary to the received narrative that posits Japanese modernism as merely derivative, the debate around modernism among Japan's early avant-garde was lively, contested, and self-reflexive.
Описание: Satirizing Modernism examines 20th-century novels that satirize avant-garde artists and authors while also using experimental techniques associated with literary modernism. These novels—such as Wyndham Lewis’s The Apes of God, William Gaddis’s The Recognitions, and Gilbert Sorrentino’s Imaginative Qualities of Actual Things—were under-recognized and received poor reviews at the time of publication, but have increasingly been acknowledged as both groundbreaking and deeply influential. Satirizing Modernism analyzes these novels in order to present an alternative account of literary modernism, which should be viewed neither as a radical break with the past nor an outmoded set of aesthetics overtaken by a later postmodernism. In self-reflexively critiquing their own aesthetics, these works express an unconventional modernism that both revises literary history and continues to be felt today.
Описание: In the first three decades of the twentieth century, artists, writers, musicians, and architects from both sides of the Atlantic interacted to create a modern style for Brazil. Their works shaped Brazilian national expression and self-definition for the twentieth century and into the present, with renewed relevance as Brazil plays an increasingly important role in global affairs. Artists such as Tarsila do Amaral and Roberto Burle-Marx are appearing for the first time in museums in the United States and Europe, along with the concept of antropofagia from the «Cannibal Manifesto», a theory of cultural autonomy and a model for fusion, hybridity, and assimilation. This book offers a cultural history and interpretation of Brazilian modernism in the arts and letters, exploring how modernism depends on transatlantic negotiation and develops through interchanges between Brazilians and Europeans.
Автор: Comentale Название: Modernism, Cultural Production, and the British Avant-garde ISBN: 0521120977 ISBN-13(EAN): 9780521120975 Издательство: Cambridge Academ Рейтинг: Цена: 6018.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Comentale exposes the links between art, literature and early twentieth-century capitalism. He examines art and sculpture as well as writing by Virginia Woolf, T. S. Eliot and H. D. among others, in the light of psychoanalytic, economic and political theory. This book will be of interest to all scholars of modernism.
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