Stories in Letters - Letters in Stories: Epistolary Liminalities in the Anglophone Canadian Short Story, Rebekka Schuh
Автор: White Peter Название: Cicero in Letters: Epistolary Relations of the Late Republic ISBN: 0199914346 ISBN-13(EAN): 9780199914340 Издательство: Oxford Academ Рейтинг: Цена: 6651.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Cicero in Letters analyzes letter-writing habits and political preoccupations that define the correspondence between Cicero and his contemporaries during a period of crisis at the end of the Roman Republic.
Описание: List of Illustrations Acknowledgements Introduction 1. Diary and Letter Strategies Past and Present 2. Riddles and Relics: Critical Correspondence in A.S. Byatt's Possession: A Romance and The Biographer's Tale 3. Spectral Diarists: Sarah Waters's Affinity and Melissa Pritchard's Selene of the Spirits 4. A Deviant Device: Diary Dissembling in Margaret Atwood's Alias Grace 5. Lewis Carroll and the Curious Theatre of Modernity: Epistolary Pursuit in Katie Roiphe's Still She Haunts Me 6. Dissident Diarists: Mick Jackson's The Underground Man and Michael Faber's The Crimson Petal and the White Postscript: Treasures and Pleasures
This book examines how concepts of citizenship have been negotiated in Anglophone Canadian literature since the 1970s. Katja Sarkowsky argues that literary texts conceptualize citizenship as political “co-actorship” and as cultural “co-authorship” (Boele van Hensbroek), using citizenship as a metaphor of ambivalent affiliations within and beyond Canada. In its exploration of urban, indigenous, environmental, and diasporic citizenship as well as of citizenship’s growing entanglement with questions of human rights, Canadian literature reflects and feeds into the term’s conceptual diversification. Exploring the works of Guillermo Verdecchia, Joy Kogawa, Jeannette Armstrong, Maria Campbell, Cheryl Foggo, Fred Wah, Michael Ondaatje, and Dionne Brand, this text investigates how citizenship functions to denote emplaced practices of participation in multiple collectives that are not restricted to the framework of the nation-state.
This book examines how concepts of citizenship have been negotiated in Anglophone Canadian literature since the 1970s. Katja Sarkowsky argues that literary texts conceptualize citizenship as political “co-actorship” and as cultural “co-authorship” (Boele van Hensbroek), using citizenship as a metaphor of ambivalent affiliations within and beyond Canada. In its exploration of urban, indigenous, environmental, and diasporic citizenship as well as of citizenship’s growing entanglement with questions of human rights, Canadian literature reflects and feeds into the term’s conceptual diversification. Exploring the works of Guillermo Verdecchia, Joy Kogawa, Jeannette Armstrong, Maria Campbell, Cheryl Foggo, Fred Wah, Michael Ondaatje, and Dionne Brand, this text investigates how citizenship functions to denote emplaced practices of participation in multiple collectives that are not restricted to the framework of the nation-state.
Anne of Windy Poplars-published as Anne of Windy Willows in the UK, Australia, and Japan-is an epistolary novel by Canadian author L. M. Montgomery. First published in 1936 by McClelland and Stewart, it details Anne Shirley's experiences over three years teaching at a high school in Summerside, Prince Edward Island. The novel features a series of letters Anne sends to her intended, Gilbert Blythe, who is completing medical school. Chronologically, the book is fourth in the series, but it was the seventh book written. Anne of Windy Poplars takes place over the three years between Anne's graduation from Redmond College and her marriage to Gilbert Blythe. While Gilbert is in medical school, Anne takes a job as the principal of Summerside High School, where she also teaches. She lives in a large house called Windy Poplars with two elderly widows, Aunt Kate and Aunt Chatty, along with their housekeeper, Rebecca Dew, and their cat, Dusty Miller.During her time in Summerside, Anne must learn to manage many of Summerside's inhabitants, including the clannish and resentful Pringle family, her bitter colleague Katherine Brooke, and others of Summerside's more eccentric residents. Additionally, Anne befriends the young and lonely Elizabeth Grayson, a motherless member of the Pringle family who lives next door to Windy Poplars. She frequently visits Marilla at Green Gables.At the end of the novel, Anne departs Summerside, returning to Green Gables and Avonlea for her wedding to Gilbert. Upon her departure many of the town's residents express that they will greatly miss her as they have grown very fond of her or have been helped by her, including Katherine Brooke and Elizabeth Grayson.Anne Shirley - The book's main protagonist. After becoming engaged to Gilbert Blythe, Anne accepts the job of Summerside High principal until Gilbert finishes medical school.Rebecca Dew - Aunt Chatty and Aunt Kate's housekeeper. Summerside believes that she rules the "widows" with her outspoken ways and her demands. However, her employers have long learned to manage her through reverse psychology. She is genuinely fond of Anne and very kind.Elizabeth Grayson - A lonely and unhappy child that lives next door to Anne. She is being raised by her Great-Grandmother and her Great Grandmother's elderly housekeeper, whom Elizabeth calls "The Woman". Her father left her to work overseas when Elizabeth's mother died. Elizabeth changes her name, calling herself Lizzie or Bess, based on her mood. She worships Anne and Anne, in turn, loves and cares for Elizabeth. Anne tries to find ways to bring joy to Elizabeth's life.Aunt Chatty/Charlotte MacLeanAunt Kate/Kate McComberKatherine Brooke - The Vice Principal of Summerside High. She resents Anne because she believes that she should have been offered the job as Principal. Katherine is sarcastic and bitter, but a good teacher.
Описание: At the end of several of his letters the apostle Paul claims to be penning a summary and farewell greeting in his own hand: 1 Corinthians, Galatians, Philemon, cf. Colossians, 2 Thessalonians. Paul’s claims raise some interesting questions about his letter-writing practices. Did he write any complete letters himself, or did he always dictate to a scribe? How much did his scribes contribute to the composition of his letters? Did Paul make the effort to proofread and correct what he had dictated? What was the purpose of Paul's autographic subscriptions? What was Paul's purpose in calling attention to their autographic nature? Why did Paul write in large letters in the subscription of his letter to the Galatians? Why did he call attention to this peculiarity of his handwriting? A good source of answers to these questions can be found among the primary documents that have survived from around the time of Paul, a large number of which have been discovered over the past two centuries and in fact continue to be discovered to this day. From around the time of Paul there are extant several dozen letters from the caves and refuges in the desert of eastern Judaea (in Hebrew, Aramaic, Nabataean, Greek, and Latin), several hundred from the remains of a Roman military camp in Vindolanda in northern England (in Latin), and several thousand from the sands of Middle and Upper Egypt (in Greek, Latin, and Egyptian Demotic). Reece has examined almost all these documents, many of them unpublished and rarely read, with special attention to their handwriting styles, in order to shed some light on these technical aspects of Paul's letter-writing conventions.
Описание: The essays in Writing between the Lines explore the lives of twelve of Canada's most eminent anglophone literary translators, and delve into how these individuals have contributed to the valuable process of literary exchange between francophone and anglophone literatures in Canada. Through individual portraits, this book traces the events and life experiences that have led W.H. Blake, John Glassco, Philip Stratford, Joyce Marshall, Patricia Claxton, Doug Jones, Sheila Fischman, Ray Ellenwood, Barbara Godard, Susanne de Lotbinire-Harwood, John Van Burek, and Linda Gaboriau into the complex world of literary translation. Each essay-portrait examines why they chose to translate and what linguistic and cultural challenges they have faced in the practice of their art. Following their relationships with authors and publishers, the translators also reveal how they have defined the goals and the process of literary translation. Containing original, detailed biographical and bibliographical material, Writing between the Lines offers many new insights into the literary translation process, and the diverse roles of the translator as social agent. The first text on Canadian translators, it makes a major contribution in the areas of literary translation, comparative literature, Canadian literature, and cultural studies.
The Anglia Book Series (ANGB) offers a selection of high quality work on all areas and aspects of English philology. It publishes book-length studies and essay collections on English language and linguistics, on English and American literature and culture from the Middle Ages to the present, on the new English literatures, as well as on general and comparative literary studies, including aspects of cultural and literary theory.
Since the late twentieth century, letters in literature have seen a remarkable renaissance. The prominence of letters in recent fiction is due in part to the rediscovery, by contemporary writers, of letters as an effective tool for rendering aspects of historicity, liminality, marginalization and the expression of subjectivity vis-a-vis an ‘other’; it is also due, however, to the artistically challenging inclusion of the new electronic media of communication into fiction. While studies of epistolary fiction have so far concentrated on the eighteenth century and on thematic concerns, this volume charts the epistolary renaissance in recent literature, entering new territory by also focusing on the aesthetic implications of the epistolary mode. In particular, the essays in this volume illuminate the potential of the epistolary (including digital forms) for rendering contemporary sensitivities. The volume thus offers a comprehensive assessment of letter narratives in contemporary literature. Through its focus on the aesthetic and structural aspects of new epistolary fiction, the inclusion of various narrative forms, and the consideration of both conventional letters and their new digital kindred, The Epistolary Renaissance offers novel insight into a multi-facetted (re)new(ed) genre.
Since the late twentieth century, letters in literature have seen a remarkable renaissance. The prominence of letters in recent fiction is due in part to the rediscovery, by contemporary writers, of letters as an effective tool for rendering aspects of historicity, liminality, marginalization and the expression of subjectivity vis- -vis an 'other'; it is also due, however, to the artistically challenging inclusion of the new electronic media of communication into fiction. While studies of epistolary fiction have so far concentrated on the eighteenth century and on thematic concerns, this volume charts the epistolary renaissance in recent literature, entering new territory by also focusing on the aesthetic implications of the epistolary mode. In particular, the essays in this volume illuminate the potential of the epistolary (including digital forms) for rendering contemporary sensitivities. The volume thus offers a comprehensive assessment of letter narratives in contemporary literature. Through its focus on the aesthetic and structural aspects of new epistolary fiction, the inclusion of various narrative forms, and the consideration of both conventional letters and their new digital kindred, The Epistolary Renaissance offers novel insight into a multi-facetted (re)new(ed) genre.
Описание: Combining literary and historical analysis, this book offers the first study of largely female-authored novels that used embedded letters and third-person narrative to explore reading and misreading, knowledge and ignorance, communication and credulity, challenging empiricism on its own ground in plots centred on mysteries of identity.
Автор: Richter Antje Название: Letters and Epistolary Culture in Early Medieval China ISBN: 0295992786 ISBN-13(EAN): 9780295992785 Издательство: Wiley EDC Рейтинг: Цена: 4803.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Honorable Mention for the 2016 Kayden Book Award
This first book-length study in Chinese or any Western language of personal letters and letter-writing in premodern China focuses on the earliest period (ca. 3rd-6th cent. CE) with a sizeable body of surviving correspondence. Along with the translation and analysis of many representative letters, Antje Richter explores the material culture of letter writing (writing supports and utensils, envelopes and seals, the transportation of finished letters) and letter-writing conventions (vocabulary, textual patterns, topicality, creativity). She considers the status of letters as a literary genre, ideal qualities of letters, and guides to letter-writing, providing a wealth of examples to illustrate each component of the standard personal letter. References to letter-writing in other cultures enliven the narrative throughout.
Letters and Epistolary Culture in Early Medieval China makes the social practice and the existing textual specimens of personal Chinese letter-writing fully visible for the first time, both for the various branches of Chinese studies and for epistolary research in other ancient and modern cultures, and encourages a more confident and consistent use of letters as historical and literary sources.
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