The Maximalist Novel sets out to define a new genre of contemporary fiction that developed in the United States from the early 1970s, and then gained popularity in Europe in the early twenty-first century.
The maximalist novel has a very strong symbolic and morphological identity. Ercolino sets out ten particular elements which define and structure it as a complex literary form: length, an encyclopedic mode, dissonant chorality, diegetic exuberance, completeness, narrratorial omniscience, paranoid imagination, inter-semiocity, ethical commitment, and hybrid realism. These ten characteristics are common to all of the seven works that centre his discussion: Gravity's Rainbow by Thomas Pynchon, Infinite Jest by David Foster Wallace, Underworld by Don DeLillo, White Teeth by Zadie Smith, The Corrections by Jonathan Franzen, 2666 by Roberto Bola o, and 2005 dopo Cristo by the Babette Factory.
Though the ten features are not all present in the same way or form in every single text, they are all decisive in defining the genre of the maximalist novel, insofar as they are systematically co-present. Taken singularly, they can be easily found both in modernist and postmodern novels, which are not maximalist. Nevertheless, it is precisely their co-presence, as well as their reciprocal articulation, which make them fundamental in demarcating the maximalist novel as a genre.
Автор: Terry Farrell Название: Maximalism and the Postmodern: Terry Farrell Interiors ISBN: 185669822X ISBN-13(EAN): 9781856698221 Издательство: Thames & Hudson Цена: 4950.00 р. Наличие на складе: Поставка под заказ.
Автор: Motta G. Название: Maximal A2 Kursbuch mit Audios ISBN: 3126767451 ISBN-13(EAN): 9783126767453 Издательство: Неизвестно Рейтинг: Цена: 2102.00 р. Наличие на складе: Нет в наличии.
Описание: Member States continue to request guidance on introducing nuclear power to their power production strategy. This publication provides updated methodology and framework and discusses aspects including nuclear safety and security, technology and engineering, economics and cost, land use planning and preparation, socioeconomic impacts and involvement of stakeholders.
The Maximalist Novel sets out to define a new genre of contemporary fiction that developed in the United States from the early 1970s, and then gained popularity in Europe in the early twenty-first century.
The maximalist novel has a very strong symbolic and morphological identity. Ercolino sets out ten particular elements which define and structure it as a complex literary form: length, an encyclopedic mode, dissonant chorality, diegetic exuberance, completeness, narrratorial omniscience, paranoid imagination, inter-semiocity, ethical commitment, and hybrid realism. These ten characteristics are common to all of the seven works that centre his discussion: Gravity's Rainbow by Thomas Pynchon, Infinite Jest by David Foster Wallace, Underworld by Don DeLillo, White Teeth by Zadie Smith, The Corrections by Jonathan Franzen, 2666 by Roberto Bola o, and 2005 dopo Cristo by the Babette Factory.
Though the ten features are not all present in the same way or form in every single text, they are all decisive in defining the genre of the maximalist novel, insofar as they are systematically co-present. Taken singularly, they can be easily found both in modernist and postmodern novels, which are not maximalist. Nevertheless, it is precisely their co-presence, as well as their reciprocal articulation, which make them fundamental in demarcating the maximalist novel as a genre.
Bright, bold, and bursting with color-drenched patterns, the paintings of the postmodernist American artist Jeanne Leighton-Lundberg Clarke (1925-2014) shimmer like the stained-glass windows of an abstract cathedral. For decades, her "Favorite Ladies" paintings have delighted viewers with their almost whimsical appropriation of famous women from the history of art, borrowing from the canvases of such artists as douard Manet, Pablo Picasso, and Andy Warhol. Stylistically paralleling the post-modernist movement of Pattern & Decoration, Clarke explored gender, familial relationships, and religious symbolism from sometimes unexpected and even contradictory perspectives; she explored femininity and female roles while resisting the label of feminist. Clarke, however, embraced the stylistic descriptor of maximalism. For decades, critics and historians have employed the term maximalism both to describe artworks and designs that embrace decorative overload and visual excess as well as to define trends that counter the reductive qualities of the minimalist aesthetic. When Clarke identified herself as a maximalist in 1980, she was the first known artist in contemporary history to use the term to denote a formal stylistic approach, rather than simply an adjective. Following in her pioneering footsteps, this book is the first to explore the contributions of Clarke as well as her role in the development of Maximalism. The authors take the reader on a visual journey, exploring the modernist roots of Clarke and her gendered approach to contemporary genre painting and culminating in a survey of the early twenty-first century fascination with Maximalism.
Описание: Maximalism and Visual Delight is the first book to explore the contributions of witty contemporary genre painter Jeanne Leighton-Lundberg Clarke and her meaningful role in the development of Maximalism.
Название: Maximalism ISBN: 2888930196 ISBN-13(EAN): 9782888930198 Издательство: Rockport/Rotovision Рейтинг: Цена: 3036.00 р. Наличие на складе: Поставка под заказ.
Описание: Now available for the first time in paperback, the best-selling Maximalism celebrates richness and excess in graphic design. After a decade in which minimalism has held sway, many designers are now rejecting the limitations of pared-down modernism in favour of a rich and vibrant "maximal" aesthetic.
Автор: Motta G. Название: Maximal B1 Arbeitsbuch mit Audios ISBN: 3126767516 ISBN-13(EAN): 9783126767514 Издательство: Неизвестно Рейтинг: Цена: 780.00 р. Наличие на складе: Нет в наличии.
Описание: Member States continue to request guidance on introducing nuclear power to their power production strategy. This publication provides updated methodology and framework and discusses aspects including nuclear safety and security, technology and engineering, economics and cost, land use planning and preparation, socioeconomic impacts and involvement of stakeholders.
Описание: Oscar E. Jimenez opens up the multi-dimensional implications of Ephesians 2:11-22 for narrative and theological analysis, demonstrating that each metaphor in the text blends and creates a single, complex narrative. Concentric spatial places construct the text’s landscape on which the Gentiles move, each place representing increasing intimacy and familiarity through national, familial, architectural, and cultic images. Christ is the vehicle of that motion, and also the agent, breaking down walls and abolishing enmity, and ultimately building the structure as both builder and cornerstone. This will be an important book for New Testament scholars and scholars interested in the use of linguistics in Biblical studies, in particular literary and narrative analysis to the New Testament epistles.
"Putting Wisdom to Work" is about releasing the wizard within to use intuition, experience, intention and expectations to create the best life for yourself and others. See how to use proven mindfulness techniques and personal policies for a richer, happier, more fulfilling personal experience. Inside you'll find practical ideas on how to calm the mind, identify genuine needs and take action to satisfy them. Develop wisdom skills and you'll make twice the personal growth progress in half the time
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Includes step-by-step activities and guides: - 11 characteristics of wise people - 6 steps to leverage luck - Top 5 regrets of the elderly (& how to avoid them) - BeSMART goal setting - Build a Win-List - EasyG. Ulysses Contract Mindfulness Map & more.
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Описание: What comes after postmodernism in literature?Hyperbolic Realism engages the contradiction that while it remains impossible to present a full picture of the world, assessing reality from a planetary perspective is now more than ever an ethical obligation for contemporary literature. The book thus examines the hyperbolic forms and features of Thomas Pynchon's Against the Day and Roberto Bolano's 2666 – their discursive and material abundance, excessive fictionality, close intertwining of fantastic and historical genres, narrative doubt and spiraling uncertainty – which are deployed not as an escape from, but a plunge into reality. Faced with a reality in a permanent state of exception, Pynchon and Bolano react to the excesses and distortions of the modern age with a new poetic and aesthetic paradigm that rejects both the naive illusion of a return to the real and the self-enclosed artificiality of classical postmodern writing: hyperbolic realism.
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