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Women`s Experimental Cinema: Critical Frameworks, Robin Blaetz


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Автор: Robin Blaetz
Название:  Women`s Experimental Cinema: Critical Frameworks
ISBN: 9780822340447
Издательство: Wiley EDC
Классификация:

ISBN-10: 0822340445
Обложка/Формат: Paperback
Страницы: 432
Вес: 0.62 кг.
Дата издания: 2007-10-16
Язык: English
Иллюстрации: 62 illustrations
Размер: 158 x 235 x 27
Читательская аудитория: Professional & vocational
Основная тема: Film theory & criticism,Gender studies: women, PERFORMING ARTS / Film / History & Criticism,SOCIAL SCIENCE / Women's Studies
Подзаголовок: Critical frameworks
Ссылка на Издательство: Link
Рейтинг:
Поставляется из: Англии
Описание:
Women’s Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing various influences on her work, examining the development of her corpus, and interpreting a significant number of individual films. The essays rescue the work of critically neglected but influential women filmmakers for teaching, further study, and, hopefully, restoration and preservation. Just as importantly, they enrich the understanding of feminism in cinema and expand the terrain of film history, particularly the history of the American avant-garde.

The contributors examine the work of Marie Menken, Joyce Wieland, Gunvor Nelson, Yvonne Rainer, Carolee Schneemann, Barbara Rubin, Amy Greenfield, Barbara Hammer, Chick Strand, Marjorie Keller, Leslie Thornton, Abigail Child, Peggy Ahwesh, Su Friedrich, and Cheryl Dunye. The essays highlight the diversity in these filmmakers’ forms and methods, covering topics such as how Menken used film as a way to rethink the transition from abstract expressionism to Pop Art in the 1950s and 1960s, how Rubin both objectified the body and investigated the filmic apparatus that enabled that objectification in her film Christmas on Earth (1963), and how Dunye uses film to explore her own identity as a black lesbian artist. At the same time, the essays reveal commonalities, including a tendency toward documentary rather than fiction and a commitment to nonhierarchical, collaborative production practices. The volume’s final essay focuses explicitly on teaching women’s experimental films, addressing logistical concerns (how to acquire the films and secure proper viewing spaces) and extending the range of the book by suggesting alternative films for classroom use.

Contributors. Paul Arthur, Robin Blaetz, Noël Carroll, Janet Cutler, Mary Ann Doane, Robert A. Haller, Chris Holmlund, Chuck Kleinhans, Scott MacDonald, Kathleen McHugh, Ara Osterweil, Maria Pramaggiore, Melissa Ragona, Kathryn Ramey, M. M. Serra, Maureen Turim, William C. Wees


Дополнительное описание: Acknowledgments ix
Introduction: Women’s Experimental Cinema: Critical Frameworks / Robin Blaetz 1
Swing and Sway: Marie Menken’s Filmic Events / Melissa Ragona 20
Different/Same/Both/Neither: The Polycentric Cinema of Joyce Wie




Автор: Robin Blaetz
Название: Women`s Experimental Cinema: Critical Frameworks
ISBN: 0822340232 ISBN-13(EAN): 9780822340232
Издательство: Wiley EDC
Рейтинг:
Цена: 16988.00 р.
Наличие на складе: Поставка под заказ.

Описание:

Women’s Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing various influences on her work, examining the development of her corpus, and interpreting a significant number of individual films. The essays rescue the work of critically neglected but influential women filmmakers for teaching, further study, and, hopefully, restoration and preservation. Just as importantly, they enrich the understanding of feminism in cinema and expand the terrain of film history, particularly the history of the American avant-garde.

The contributors examine the work of Marie Menken, Joyce Wieland, Gunvor Nelson, Yvonne Rainer, Carolee Schneemann, Barbara Rubin, Amy Greenfield, Barbara Hammer, Chick Strand, Marjorie Keller, Leslie Thornton, Abigail Child, Peggy Ahwesh, Su Friedrich, and Cheryl Dunye. The essays highlight the diversity in these filmmakers’ forms and methods, covering topics such as how Menken used film as a way to rethink the transition from abstract expressionism to Pop Art in the 1950s and 1960s, how Rubin both objectified the body and investigated the filmic apparatus that enabled that objectification in her film Christmas on Earth (1963), and how Dunye uses film to explore her own identity as a black lesbian artist. At the same time, the essays reveal commonalities, including a tendency toward documentary rather than fiction and a commitment to nonhierarchical, collaborative production practices. The volume’s final essay focuses explicitly on teaching women’s experimental films, addressing logistical concerns (how to acquire the films and secure proper viewing spaces) and extending the range of the book by suggesting alternative films for classroom use.

Contributors. Paul Arthur, Robin Blaetz, Noël Carroll, Janet Cutler, Mary Ann Doane, Robert A. Haller, Chris Holmlund, Chuck Kleinhans, Scott MacDonald, Kathleen McHugh, Ara Osterweil, Maria Pramaggiore, Melissa Ragona, Kathryn Ramey, M. M. Serra, Maureen Turim, William C. Wees

Reading and Writing Experimental Texts: Critical Innovations

Автор: Silbergleid Robin, Quynn Kristina
Название: Reading and Writing Experimental Texts: Critical Innovations
ISBN: 3319863886 ISBN-13(EAN): 9783319863887
Издательство: Springer
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Цена: 15372.00 р.
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Описание:

1 Critical Play: An Introduction.- 2 Ecological Echoing: Following the Footsteps.- 3 Carole Maso's AVA and the Practice of Reading: Selves in Dialogue.- 4 Expert Witness: Living in the Dirt.- 5 Blah Blah Bleh: Bulimic Writing as Resistance.- 6 "In the Soul of the Sidereal World" Mining Barbara Hodgson and Claudia Cohen's The WunderCabinet for a Critical Model of Interdisciplinary Curiosity.- 7 Reading and Writing in Kristjana Gunnars's Rose Garden.- 8 The Water Will Hold You: On Lidia Yuknavitch's The Chronology of Water.- 9 Writing a Sacred Self: Kathy Acker and Wonder / Amy Nolan.- 10 Impulses Toward a Telepathic Reading of Clarice Lispector's The Stations of the Body and "The Beak of a Bird" by Amina Cain.- 11 Still Life with My Grandmother's China: Mark Doty and the Lyric Essay.- 12 Lessons from Lying: Autobiographical Performances and the Conventions of Nonfiction.- 13 Take 12: A Critical Performance.

Contaminations

Автор: Mack Michael
Название: Contaminations
ISBN: 1474425593 ISBN-13(EAN): 9781474425599
Издательство: Bloomsbury Academic
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Цена: 3958.00 р.
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Описание: Combining theory with literary criticism, the book sheds light on how overlooked aspects of Henry James s, H. Melville s and H. G. Wells s novels question notions of natural order as well as an opposition between the subjective and the objective.

Movement as Meaning in Experimental Cinema: The Musical Poetry of Motion Pictures Revisited

Автор: Daniel Barnett
Название: Movement as Meaning in Experimental Cinema: The Musical Poetry of Motion Pictures Revisited
ISBN: 1501329847 ISBN-13(EAN): 9781501329845
Издательство: Bloomsbury Academic
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Цена: 20592.00 р.
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Описание: Movement as Meaning in Experimental Cinema offers sweeping and cogent arguments as to why analytic philosophers should take experimental cinema seriously as a medium for illuminating mechanisms of meaning in language. Using the analogy of the movie projector, Barnett deconstructs all communication acts into functions of interval, repetition and context. He describes how Wittgenstein's concepts of family resemblance and language games provide a dynamic perspective on the analysis of acts of reference. He then develops a hyper-simplified formula of movement as meaning to discuss, with true equivalence, the process of reference as it occurs in natural language, technical language, poetic language, painting, photography, music, and of course, cinema. Barnett then applies his analytic technique to an original perspective on cine-poetics based on Paul Valery's concept of omnivalence, and to a projection of how this style of analysis, derived from analog cinema, can help us clarify our view of the digital mediasphere and its relation to consciousness. Informed by the philosophy of Quine, Dennett, Merleau-Ponty as well as the later work of Wittgenstein, among others, he uses the film work of Stan Brakhage, Tony Conrad, A.K. Dewdney, Nathaniel Dorsky, Ken Jacobs, Owen Land, Saul Levine, Gregory Markopoulos Michael Snow, and the poetry of Basho, John Cage, John Cayley and Paul Valery to illustrate the power of his unique perspective on meaning.

Women`s Experimental Writing: Negative Aesthetics and Feminist Critique

Автор: Ellen E. Berry
Название: Women`s Experimental Writing: Negative Aesthetics and Feminist Critique
ISBN: 147422640X ISBN-13(EAN): 9781474226400
Издательство: Bloomsbury Academic
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Цена: 13464.00 р.
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Описание: Women's Experimental Writing considers six contemporary authors who use experimental methods and negative modes of critique in their fiction and feminism. The authors covered are Valerie Solanas, Kathy Acker, Theresa Cha, Chantel Chawaf, Jeanette Winterson, and Lynda Barry. These writers all share a commitment to combining extreme content with formally radical techniques in order to enact varieties of gender, sex, race, class and nation-based experience that, they suggest, may only be “represented” accurately through the experimental unmaking of dominant structures of rationality. Ellen Berry extends the anti-social negative critique predominant in queer studies by offering an alternative archive of feminist negative literary practices and explores the consequences of joining an anti-social critique with radical innovations in literary and cultural forms. She argues that the radical aesthetic practices the authors employ are central to the emergence of contemporary Western feminisms and in doing so rectifies a critical neglect of contemporary experimental writing by women, especially in politicized forms, within the still-emerging postmodern canon.

Seeing into Screens

Автор: Dwyer Tessa
Название: Seeing into Screens
ISBN: 1501329022 ISBN-13(EAN): 9781501329029
Издательство: Bloomsbury Academic
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Цена: 19008.00 р.
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Описание:

Seeing into Screens: Eye Tracking and the Moving Image is the first dedicated anthology that explores vision and perception as it materializes as viewers watch screen content. While nearly all moving image research either 'imagines' how its audience responds to the screen, or focuses upon external responses, this collection utilizes the data produced from eye tracking technology to assess seeing and knowing, gazing and perceiving.

The editors divide their collection into the following four sections: eye tracking performance, which addresses the ways viewers respond to screen genre, actor and star, auteur, and cinematography; eye tracking aesthetics which explores the way viewers gaze upon colour, light, movement, and space; eye tracking inscription, which examines the way the viewer responds to subtitles, translation, and written information found in the screen world; and eye tracking augmentation which examines the role of simulation, mediation, and technological intervention in the way viewers engage with screen content. At a time when the nature of viewing the screen is extending and diversifying across different platforms and exhibitions, Seeing into Screens is a timely exploration of how viewers watch the screen.

Movement as Meaning in Experimental Cinema

Автор: Barnett Daniel
Название: Movement as Meaning in Experimental Cinema
ISBN: 1501349651 ISBN-13(EAN): 9781501349652
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 5859.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Movement as Meaning in Experimental Cinema offers sweeping and cogent arguments as to why analytic philosophers should take experimental cinema seriously as a medium for illuminating mechanisms of meaning in language. Using the analogy of the movie projector, Barnett deconstructs all communication acts into functions of interval, repetition and context. He describes how Wittgenstein's concepts of family resemblance and language games provide a dynamic perspective on the analysis of acts of reference. He then develops a hyper-simplified formula of movement as meaning to discuss, with true equivalence, the process of reference as it occurs in natural language, technical language, poetic language, painting, photography, music, and of course, cinema. Barnett then applies his analytic technique to an original perspective on cine-poetics based on Paul Valery's concept of omnivalence, and to a projection of how this style of analysis, derived from analog cinema, can help us clarify our view of the digital mediasphere and its relation to consciousness. Informed by the philosophy of Quine, Dennett, Merleau-Ponty as well as the later work of Wittgenstein, among others, he uses the film work of Stan Brakhage, Tony Conrad, A.K. Dewdney, Nathaniel Dorsky, Ken Jacobs, Owen Land, Saul Levine, Gregory Markopoulos Michael Snow, and the poetry of Basho, John Cage, John Cayley and Paul Valery to illustrate the power of his unique perspective on meaning.

Seeing into Screens: Eye Tracking and the Moving Image

Автор: Tessa Dwyer, Claire Perkins, Sean Redmond, Jodi Sita
Название: Seeing into Screens: Eye Tracking and the Moving Image
ISBN: 1501354922 ISBN-13(EAN): 9781501354922
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 5384.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

Seeing into Screens: Eye Tracking and the Moving Image is the first dedicated anthology that explores vision and perception as it materializes as viewers watch screen content. While nearly all moving image research either 'imagines' how its audience responds to the screen, or focuses upon external responses, this collection utilizes the data produced from eye tracking technology to assess seeing and knowing, gazing and perceiving.

The editors divide their collection into the following four sections: eye tracking performance, which addresses the ways viewers respond to screen genre, actor and star, auteur, and cinematography; eye tracking aesthetics which explores the way viewers gaze upon colour, light, movement, and space; eye tracking inscription, which examines the way the viewer responds to subtitles, translation, and written information found in the screen world; and eye tracking augmentation which examines the role of simulation, mediation, and technological intervention in the way viewers engage with screen content. At a time when the nature of viewing the screen is extending and diversifying across different platforms and exhibitions, Seeing into Screens is a timely exploration of how viewers watch the screen.

Women`s Experimental Writing: Negative Aesthetics and Feminist Critique

Автор: Ellen E. Berry
Название: Women`s Experimental Writing: Negative Aesthetics and Feminist Critique
ISBN: 1350054232 ISBN-13(EAN): 9781350054233
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 5542.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

Women's Experimental Writing considers six contemporary authors who use experimental methods and negative modes of critique in their fiction and feminism. The authors covered are Valerie Solanas, Kathy Acker, Theresa Cha, Chantel Chawaf, Jeanette Winterson, and Lynda Barry.

These writers all share a commitment to combining extreme content with formally radical techniques in order to enact varieties of gender, sex, race, class and nation-based experience that, they suggest, may only be "represented" accurately through the experimental unmaking of dominant structures of rationality. Ellen Berry extends the anti-social negative critique predominant in queer studies by offering an alternative archive of feminist negative literary practices and explores the consequences of joining an anti-social critique with radical innovations in literary and cultural forms. She argues that the radical aesthetic practices the authors employ are central to the emergence of contemporary Western feminisms and in doing so rectifies a critical neglect of contemporary experimental writing by women, especially in politicized forms, within the still-emerging postmodern canon.

Durational cinema

Автор: Walsh, Michael
Название: Durational cinema
ISBN: 303076091X ISBN-13(EAN): 9783030760915
Издательство: Springer
Рейтинг:
Цена: 16769.00 р.
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Описание: This book argues for a durational cinema that is distinct from slow cinema, and outlines the history of its three main waves: the New York avant-garde of the 1960s, the European art cinema in the years after 1968, and the international cinema of gallery spaces as well as film festivals since the 1990s.

Revisiting Women`s Cinema: Feminism, Socialism, and Mainstream Culture in Modern China

Автор: Wang Lingzhen
Название: Revisiting Women`s Cinema: Feminism, Socialism, and Mainstream Culture in Modern China
ISBN: 1478010800 ISBN-13(EAN): 9781478010807
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 3630.00 р.
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Описание: In Revisiting Women’s Cinema, Lingzhen Wang ponders the roots of contemporary feminist stagnation and the limits of both commercial mainstream and elite minor cultures by turning to socialist women filmmakers in modern China. She foregrounds their sociopolitical engagements, critical interventions, and popular artistic experiments, offering a new conception of socialist and postsocialist feminisms, mainstream culture, and women’s cinema. Wang highlights the films of Wang Ping and Dong Kena in the 1950s and 1960s and Zhang Nuanxin and Huang Shuqin in the 1980s and 1990s to unveil how they have been profoundly misread through extant research paradigms entrenched in Western Cold War ideology, post-second-wave cultural feminism, and post-Mao intellectual discourses. Challenging received interpretations, she elucidates how socialist feminism and culture were conceptualized and practiced in relation to China’s search not only for national independence and economic development but also for social emancipation, proletarian culture, and socialist internationalism. Wang calls for a critical reevaluation of historical materialism, socialist feminism, and popular culture to forge an integrated emancipatory vision for future transnational feminist and cultural practices.

Experimental and Independent Italian Cinema: Legacies and Transformations into the Twenty-First Century

Автор: Anthony Cristiano, Carlo Coen
Название: Experimental and Independent Italian Cinema: Legacies and Transformations into the Twenty-First Century
ISBN: 1474474039 ISBN-13(EAN): 9781474474030
Издательство: Bloomsbury Academic
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Цена: 15840.00 р.
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Описание: Discussing a variety of independent and experimental Italian films, this book gives voice to a critcically neglected form of Italian cinema and explores the character of independent films and their related practices within the Italian historical, cultural and cinematic landscape.


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