Indians Illustrated: The Image of Native Americans in the Pictorial Press, John M Coward
Автор: Aby M. Warburg Название: Images from the Region of the Pueblo Indians of North America ISBN: 0801484359 ISBN-13(EAN): 9780801484353 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 2502.00 р. Наличие на складе: Есть (1 шт.) Описание:
Aby M. Warburg (1866–1929) is recognized not only as one of the century’s preeminent art and Renaissance historians but also as a founder of twentieth-century methods in iconology and cultural studies in general. Warburg’s 1923 lecture, first published in German in 1988 and now available in the first complete English translation, offers at once a window on his career, a formative statement of his cultural history of modernity, and a document in the ethnography of the American Southwest. This edition includes thirty-nine photographs, many of them originally presented as slides with the speech, and a rich interpretive essay by the translator.
Автор: Dwyer, Lawrence A Название: Standing bear`s quest for freedom ISBN: 1496232461 ISBN-13(EAN): 9781496232465 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 2502.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Winner of the 2023 Nebraska Book Award Chief Standing Bear of the Ponca Nation faced arrest for leaving the U.S. government’s reservation, without its permission, for the love of his son and his people. Standing Bear fought for his freedom not through armed resistance but with bold action, strong testimony, and heartfelt eloquence. He knew he and his people had suffered a great injustice. Standing Bear wanted the right to live and die with his family on the beloved land of his Ponca ancestors, located within the Great Plains of Nebraska. In telling his story, Standing Bear’s Quest for Freedom relates an unprecedented civil rights victory for Native Americans: for the first time, in 1879, a federal court declared a Native American to be a “person”-a human being with the right to file an action for a redress of grievances in a federal court, like every other person in the United States. Standing Bear’s victory in Standing Bear v. Crook began a national movement of reforming Native American rights-albeit a slow one. Because of the courage and leadership of Chief Standing Bear, the pervasive spirit of indifference of most Americans toward Native Americans was disrupted by this historic decision. America would never be the same.
Автор: Dana Carol A., Lukens Margo, Quinn Conor M. Название: Still They Remember Me: Penobscot Transformer Tales, Volume 1 ISBN: 1625345798 ISBN-13(EAN): 9781625345790 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3188.00 р. Наличие на складе: Нет в наличии.
Описание: Newell Lyon learned the oral tradition from his elders in Maine`s Penobscot Nation and was widely considered to be a `raconteur among the Indians`. The thirteen stories in this new volume were among those that Lyon recounted to anthropologist Frank Speck, who published them in 1918 as Penobscot Transformer Tales.
After 1850, Americans swarmed to take in a raft of new illustrated journals and papers. Engravings and drawings of "buckskinned braves" and "Indian princesses" proved an immensely popular attraction for consumers of publications like Frank Leslie's Illustrated Newspaper and Harper's Weekly . In Indians Illustrated , John M. Coward charts a social and cultural history of Native American illustrations--romantic, violent, racist, peaceful, and otherwise--in the heyday of the American pictorial press. These woodblock engravings and ink drawings placed Native Americans into categories that drew from venerable "good" Indian and "bad" Indian stereotypes already threaded through the culture. Coward's examples show how the genre cemented white ideas about how Indians should look and behave--ideas that diminished Native Americans' cultural values and political influence. His powerful analysis of themes and visual tropes unlocks the racial codes and visual cues that whites used to represent--and marginalize--native cultures already engaged in a twilight struggle against inexorable westward expansion.
The life of William Apess (1798--1839), a Pequot Indian, Methodist preacher, and widely celebrated writer, provides a lens through which to comprehend the complex dynamics of indigenous survival and resistance in the era of America's early nationhood. Apess's life intersects with multiple aspects of indigenous identity and existence in this period, including indentured servitude, slavery, service in the armed forces, syncretic engagements with Christian spirituality, and Native struggles for political and cultural autonomy. Even more, Apess offers a powerful and provocative voice for the persistence of Native presence in a time and place that was long supposed to have settled its "Indian question" in favor of extinction.
Through meticulous archival research, close readings of Apess's key works, and informed and imaginative speculation about his largely enigmatic life, Drew Lopenzina provides a vivid portrait of this singular Native American figure. This new biography will sit alongside Apess's own writing as vital reading for those interested in early America and indigeneity.
Автор: Liza Black Название: Picturing Indians: Native Americans in Film, 1941–1960 ISBN: 149623264X ISBN-13(EAN): 9781496232649 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3762.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Standing at the intersection of Native history, labor, and representation, Picturing Indians presents a vivid portrait of the complicated experiences of Native actors on the sets of midcentury Hollywood Westerns. This behind-the-scenes look at costuming, makeup, contract negotiations, and union disparities uncovers an all-too-familiar narrative of racism and further complicates filmmakers’ choices to follow mainstream representations of “Indianness.”
Liza Black offers a rare and overlooked perspective on American cinema history by giving voice to creators of movie Indians—the stylists, public relations workers, and the actors themselves. In exploring the inherent racism in sensationalizing Native culture for profit, Black also chronicles the little-known attempts of studios to generate cultural authenticity and historical accuracy in their films. She discusses the studios’ need for actual Indians to participate in, legitimate, and populate such filmic narratives. But studios also told stories that made Indians sound less than Indian because of their skin color, clothing, and inability to do functions and tasks non-Indians considered authentically Indian. In the ongoing territorial dispossession of Native America, Native people worked in film as an economic strategy toward survival.
Consulting new primary sources, including pay records and unpublished publicity photographs, Black has crafted an interdisciplinary experience showcasing what it meant to “play Indian” in post–World War II Hollywood.
Автор: Crowder Jack Darrell Название: African Americans and American Indians in the Revolutionary War ISBN: 1476676720 ISBN-13(EAN): 9781476676722 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 6653.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The majority of Indian tribes sided with the British in the Revolutionary War yet some Native Americans rallied to the American cause and suffered heavy losses. This history recounts the sacrifices made by forgotten people of colour to gain independence for the people who enslaved and extirpated them.
Автор: Liza Black Название: Picturing Indians: Native Americans in Film, 1941–1960 ISBN: 0803296800 ISBN-13(EAN): 9780803296800 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 8151.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Standing at the intersection of Native history, labor, and representation, Picturing Indians presents a vivid portrait of the complicated experiences of Native actors on the sets of midcentury Hollywood Westerns. This behind-the-scenes look at costuming, makeup, contract negotiations, and union disparities uncovers an all-too-familiar narrative of racism and further complicates filmmakers’ choices to follow mainstream representations of “Indianness.”
Liza Black offers a rare and overlooked perspective on American cinema history by giving voice to creators of movie Indians—the stylists, public relations workers, and the actors themselves. In exploring the inherent racism in sensationalizing Native culture for profit, Black also chronicles the little-known attempts of studios to generate cultural authenticity and historical accuracy in their films. She discusses the studios’ need for actual Indians to participate in, legitimate, and populate such filmic narratives. But studios also told stories that made Indians sound less than Indian because of their skin color, clothing, and inability to do functions and tasks considered authentically Indian by non-Indians. In the ongoing territorial dispossession of Native America, Native people worked in film as an economic strategy toward survival.
Consulting new primary sources, Black has crafted an interdisciplinary experience showcasing what it meant to “play Indian” in post–World War II Hollywood.
Описание: This volume is a reference for citations in Volumes 1-11 of the Handbook of Middle American Indians, listing all the bibliographical entries cited and detailing the location (at the time of original publication) of the owner of each pre-Columbian American artifact illustrated.
Описание: Often seen as ethnically monolithic, the African Methodist Episcopal (AME) Church in fact successfully pursued evangelism among diverse communities of indigenous peoples and Black Indians. Christina Dickerson-Cousin tells the little-known story of the AME Church’s work in Indian Territory, where African Methodists engaged with people from the Five Civilized Tribes (Cherokees, Creeks, Choctaws, Chickasaws, and Seminoles) and Black Indians from various ethnic backgrounds. These converts proved receptive to the historically Black church due to its traditions of self-government and resistance to white hegemony, and its strong support of their interests. The ministers, guided by the vision of a racially and ethnically inclusive Methodist institution, believed their denomination the best option for the marginalized people. Dickerson-Cousin also argues that the religious opportunities opened up by the AME Church throughout the West provided another impetus for Black migration.
Insightful and richly detailed, Black Indians and Freedmen illuminates how faith and empathy encouraged the unique interactions between two peoples.
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