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William Greaves: Filmmaking as Mission, 


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Название:  William Greaves: Filmmaking as Mission
ISBN: 9780231199582
Издательство: Wiley
Классификация:

ISBN-10: 0231199589
Обложка/Формат: Hardcover
Вес: 0.67 кг.
Дата издания: 19.01.2021
Язык: English
Размер: 236 x 158 x 33
Читательская аудитория: Professional & vocational
Подзаголовок: Filmmaking as mission
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: William Greaves is one of the most significant and compelling American filmmakers of the past century. This volume provides the first comprehensive overview of Greaves`s remarkable career.


The Films of Lenny Abrahamson: A Filmmaking of Philosophy (Barry Monahan)

Название: The Films of Lenny Abrahamson: A Filmmaking of Philosophy (Barry Monahan)
ISBN: 1501362232 ISBN-13(EAN): 9781501362231
Издательство: Bloomsbury Academic
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Цена: 5226.00 р.
Наличие на складе: Нет в наличии.

Описание: The Films of Lenny Abrahamson: A Filmmaking of Philosophys of provides a comprehensive study of the films of contemporary, highly critically-appraised Irish director Lenny Abrahamson. As well as considering the aesthetics, cultural reflections and philosophical concerns in the better known work of this dynamic and profoundly original Irish filmmaker, it also looks at his short film – 3 Joes – and his little-seen student film Mendel. As the first sustained study of Abrahamson’s engaging and cinematically rich work, Barry Monahan’s book sheds light on the aesthetic wealth of the artist and connects his stylistic innovations to the context of his projects’ socio-cultural background, to his own influences in modern cinema – going beyond Irish film, to reflect upon the works of auteurs such as Bergman, Tarkovsky, Kubrick, and Kaurismaki among others – and to a broader reflection on what his canon has to contribute to the philosophy of cinema, art, and questions about human existence in the 21st century.

Esfir Shub: Pioneer of Documentary Filmmaking

Автор: Ilana Leah Shub-Sharp
Название: Esfir Shub: Pioneer of Documentary Filmmaking
ISBN: 1501376519 ISBN-13(EAN): 9781501376511
Издательство: Bloomsbury Academic
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Цена: 15840.00 р.
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Описание: Esfir Shub was the only prominent female director of nonfiction film present at the dawning of the Soviet film industry. She was, in fact, the first woman both to write critical texts on cinema and then practically apply these theorisations in her own films. As such, her syncretism of cinema theory and praxis inspired her to ask questions regarding both the nature of nonfiction film, such as the problem of authenticity and reality, and the function of the artist in society; issues which are still relevant in contemporary discussions about the documentary. Accordingly, this book demonstrates Shub’s position not only as a significant filmmaker and recognised member of the early Soviet avant-garde but also as a key figure in global cinema history. Shub deserves recognition both as the founder and ardent promoter of the compilation film genre and as a pioneer of the theory and practice of documentary filmmaking.

The Films of Lenny Abrahamson: A Filmmaking of Philosophy

Автор: Barry Monahan
Название: The Films of Lenny Abrahamson: A Filmmaking of Philosophy
ISBN: 1501316117 ISBN-13(EAN): 9781501316111
Издательство: Bloomsbury Academic
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Цена: 19008.00 р.
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Описание:

The Films of Lenny Abrahamson: A Filmmaking of Philosophys of provides a comprehensive study of the films of contemporary, highly critically-appraised Irish director Lenny Abrahamson. As well as considering the aesthetics, cultural reflections and philosophical concerns in the better known work of this dynamic and profoundly original Irish filmmaker, it also looks at his short film - 3 Joes - and his little-seen student film Mendel.

As the first sustained study of Abrahamson's engaging and cinematically rich work, Barry Monahan's book sheds light on the aesthetic wealth of the artist and connects his stylistic innovations to the context of his projects' socio-cultural background, to his own influences in modern cinema - going beyond Irish film, to reflect upon the works of auteurs such as Bergman, Tarkovsky, Kubrick, and Kaurism ki among others - and to a broader reflection on what his canon has to contribute to the philosophy of cinema, art, and questions about human existence in the 21st century.

Richard E. Norman and Race Filmmaking

Автор: Lupack Barbara Tepa
Название: Richard E. Norman and Race Filmmaking
ISBN: 0253010640 ISBN-13(EAN): 9780253010643
Издательство: Wiley EDC
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Цена: 4117.00 р.
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Описание: In the early 1900s, so-called race filmmakers set out to produce black-oriented pictures to counteract the racist caricatures that had dominated cinema from its inception. Richard E. Norman, a southern-born white filmmaker, was one such pioneer. From humble beginnings as a roving "home talent" filmmaker, recreating photoplays that starred local citizens, Norman would go on to produce high-quality feature-length race pictures. Together with his better-known contemporaries Oscar Micheaux and Noble and George Johnson, Richard E. Norman helped to define early race filmmaking. Making use of unique archival resources, including Norman's personal and professional correspondence, detailed distribution records, and newly discovered original shooting scripts, this book offers a vibrant portrait of race in early cinema.

Understanding Machinima: Essays on Filmmaking in Virtual Worlds

Автор: Jenna Ng
Название: Understanding Machinima: Essays on Filmmaking in Virtual Worlds
ISBN: 1441140522 ISBN-13(EAN): 9781441140524
Издательство: Bloomsbury Academic
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Цена: 22176.00 р.
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Описание: In this groundbreaking collection, Dr. Jenna Ng brings together academics and award-winning artists and machinima makers to explore the fascinating combination of cinema, animation and games in machinima (the use of computer game engines to produce animated films in cost- and time-efficient ways). Book-ended by a preface by Henry Lowood (curator for history of science and technology collections at Stanford University) and an interview with Isabelle Arvers (machinima artist, trainer, critic, and curator), the collection features wide-ranging discussions addressing machinima not only from diverse theoretical perspectives, but also in its many dimensions as game art, First Nations media art, documentary, and pedagogical tool. Making use of interactive multimedia to enhance the text, each chapter features a QR code which leads to a mobile website cross-referencing with its print text, integrating digital and print content while also taking into account the portability of digital devices in resonance with machinima's mobile digital forms. Exploring the many dimensions of machinima production and reception, Understanding Machinima extends machinima's critical scholarship and debate, underscoring the exciting potential of this emerging media form.

William Greaves: Filmmaking as Mission

Название: William Greaves: Filmmaking as Mission
ISBN: 0231199597 ISBN-13(EAN): 9780231199599
Издательство: Wiley
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Цена: 4752.00 р.
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Описание: William Greaves is one of the most significant and compelling American filmmakers of the past century. This volume provides the first comprehensive overview of Greaves`s remarkable career.

The Cinema of Stephanie Rothman: Radical Acts in Filmmaking

Автор: Alicia Kozma
Название: The Cinema of Stephanie Rothman: Radical Acts in Filmmaking
ISBN: 1496840992 ISBN-13(EAN): 9781496840998
Издательство: Mare Nostrum (Eurospan)
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Цена: 13794.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: The rare woman director working in second-wave exploitation, Stephanie Rothman (b. 1936) directed seven successful feature films, served as the vice president of an independent film company, and was the first woman to win the Directors Guild of America’s student filmmaking prize. Despite these career accomplishments, Rothman retired into relative obscurity. In The Cinema of Stephanie Rothman: Radical Acts in Filmmaking, author Alicia Kozma uses Rothman’s career as an in-depth case study, intertwining historical, archival, industrial, and filmic analysis to grapple with the past, present, and future of women’s filmmaking labor in Hollywood. Understanding second wave exploitation filmmaking as a transitory space for the industrial development of contemporary Hollywood that also opened up opportunities for women practitioners, Kozma argues that understudied film production cycles provide untapped spaces for discovering women’s directorial work. The professional career and filmography of Rothman exemplify this claim. Rothman also serves as an apt example for connecting the structure of film histories to the persistent strictures of rhetorical language used to mark women filmmakers and their labor. Kozma traces these imbrications across historical archives. Adopting a diverse methodological approach, The Cinema of Stephanie Rothman shines a needed spotlight on the problems and successes of the memorialization of women’s directorial labor, connecting historical and contemporary patterns of gendered labor disparity in the film industry. This book is simultaneously the first in-depth scholarly consideration of Rothman, the debut of the most substantive archival materials collected on Rothman, and a feminist political intervention into the construction of film histories.

The Cinema of Stephanie Rothman: Radical Acts in Filmmaking

Автор: Alicia Kozma
Название: The Cinema of Stephanie Rothman: Radical Acts in Filmmaking
ISBN: 149684100X ISBN-13(EAN): 9781496841001
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 4389.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: The rare woman director working in second-wave exploitation, Stephanie Rothman (b. 1936) directed seven successful feature films, served as the vice president of an independent film company, and was the first woman to win the Directors Guild of America’s student filmmaking prize. Despite these career accomplishments, Rothman retired into relative obscurity. In The Cinema of Stephanie Rothman: Radical Acts in Filmmaking, author Alicia Kozma uses Rothman’s career as an in-depth case study, intertwining historical, archival, industrial, and filmic analysis to grapple with the past, present, and future of women’s filmmaking labor in Hollywood. Understanding second wave exploitation filmmaking as a transitory space for the industrial development of contemporary Hollywood that also opened up opportunities for women practitioners, Kozma argues that understudied film production cycles provide untapped spaces for discovering women’s directorial work. The professional career and filmography of Rothman exemplify this claim. Rothman also serves as an apt example for connecting the structure of film histories to the persistent strictures of rhetorical language used to mark women filmmakers and their labor. Kozma traces these imbrications across historical archives. Adopting a diverse methodological approach, The Cinema of Stephanie Rothman shines a needed spotlight on the problems and successes of the memorialization of women’s directorial labor, connecting historical and contemporary patterns of gendered labor disparity in the film industry. This book is simultaneously the first in-depth scholarly consideration of Rothman, the debut of the most substantive archival materials collected on Rothman, and a feminist political intervention into the construction of film histories.

Cinema-monde: Decentred Perspectives on Global Filmmaking in French

Автор: Michael Gott, Thibaut Schilt
Название: Cinema-monde: Decentred Perspectives on Global Filmmaking in French
ISBN: 1474431844 ISBN-13(EAN): 9781474431842
Издательство: Bloomsbury Academic
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Цена: 4750.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: With contributions from an international range of specialists, and with considerations of works by contemporary directors like Rachid Bouchareb, Abderrahmane Sissako and Rithy Panh, Cinema-monde explores the porous borders around francophone spaces and the ways in which languages and identities `travel` in contemporary cinema.

Ironic Filmmaking of Stephen Frears

Автор: Brill Lesley
Название: Ironic Filmmaking of Stephen Frears
ISBN: 1501340166 ISBN-13(EAN): 9781501340161
Издательство: Bloomsbury Academic
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Цена: 5542.00 р.
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Описание: Stephen Frears has a career approaching over half-a-century, directing films of astonishing variety, beauty, and daring, and yet many often have trouble remembering his name. The Ironic Filmmaking of Stephen Frears celebrates this great filmmaker, beginning with a short biography of Frears, general observations on unifying themes and styles in his oeuvre, and the characterization of his manner of directing. By focusing on 10 key films, Lesley Brill finds coherence in Frears' characteristic irony and in his concentration on many kinds of love. In movies such as My Beautiful Laundrette, Dangerous Liaisons, High Fidelity, The Queen, Philomena, and many others, Frears portrays widely varied situations and characters with a combination of insight, skepticism, and sympathy. He has the passionate, unjudgmental focus of an artist who stands simultaneously at a distance from his subjects and within their worlds. Through Frears' work is widely admired, Brill argues that he has attracted little scholarly writing because of a combination of the diffidence of his self-presentation and the difficulty of explicating the complex ideas and characters of his films. The Ironic Filmmaking of Stephen Frears is meant to inspire others to further examine his films individually and his career as a whole.

The Ironic Filmmaking of Stephen Frears

Автор: Lesley Brill
Название: The Ironic Filmmaking of Stephen Frears
ISBN: 1501320335 ISBN-13(EAN): 9781501320330
Издательство: Bloomsbury Academic
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Цена: 17424.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Stephen Frears has a career approaching over half-a-century, directing films of astonishing variety, beauty, and daring, and yet many often have trouble remembering his name. The Ironic Filmmaking of Stephen Frears celebrates this great filmmaker, beginning with a short biography of Frears, general observations on unifying themes and styles in his oeuvre, and the characterization of his manner of directing. By focusing on 10 key films, Lesley Brill finds coherence in Frears' characteristic irony and in his concentration on many kinds of love. In movies such as My Beautiful Laundrette, Dangerous Liaisons, High Fidelity, The Queen, Philomena, and many others, Frears portrays widely varied situations and characters with a combination of insight, skepticism, and sympathy. He has the passionate, unjudgmental focus of an artist who stands simultaneously at a distance from his subjects and within their worlds. Through Frears' work is widely admired, Brill argues that he has attracted little scholarly writing because of a combination of the diffidence of his self-presentation and the difficulty of explicating the complex ideas and characters of his films. The Ironic Filmmaking of Stephen Frears is meant to inspire others to further examine his films individually and his career as a whole.

The Three Amigos: The Transnational Filmmaking of Guillermo del Toro, Alejandro Gonzalez Inarritu, and Alfonso Cuaron

Автор: Deborah Shaw
Название: The Three Amigos: The Transnational Filmmaking of Guillermo del Toro, Alejandro Gonzalez Inarritu, and Alfonso Cuaron
ISBN: 0719097592 ISBN-13(EAN): 9780719097591
Издательство: NBN International
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Цена: 4222.00 р.
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Описание: This is the first academic book dedicated to the filmmaking of the Mexican born directors Guillermo del Toro, Alejandro Gonzalez Inarritu, and Alfonso Cuaron. The book examines the career trajectories of the directors and presents a detailed analysis of their most significant films. -- .


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