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William Greaves: Filmmaking as Mission, 


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Название:  William Greaves: Filmmaking as Mission
ISBN: 9780231199599
Издательство: Wiley
Классификация:

ISBN-10: 0231199597
Обложка/Формат: Paperback
Вес: 0.67 кг.
Дата издания: 19.01.2021
Язык: English
Размер: 231 x 155 x 31
Читательская аудитория: Professional & vocational
Подзаголовок: Filmmaking as mission
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: William Greaves is one of the most significant and compelling American filmmakers of the past century. This volume provides the first comprehensive overview of Greaves`s remarkable career.


William Greaves: Filmmaking as Mission

Название: William Greaves: Filmmaking as Mission
ISBN: 0231199589 ISBN-13(EAN): 9780231199582
Издательство: Wiley
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Цена: 19166.00 р.
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Описание: William Greaves is one of the most significant and compelling American filmmakers of the past century. This volume provides the first comprehensive overview of Greaves`s remarkable career.

The Films of Lenny Abrahamson: A Filmmaking of Philosophy (Barry Monahan)

Название: The Films of Lenny Abrahamson: A Filmmaking of Philosophy (Barry Monahan)
ISBN: 1501362232 ISBN-13(EAN): 9781501362231
Издательство: Bloomsbury Academic
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Цена: 5226.00 р.
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Описание: The Films of Lenny Abrahamson: A Filmmaking of Philosophys of provides a comprehensive study of the films of contemporary, highly critically-appraised Irish director Lenny Abrahamson. As well as considering the aesthetics, cultural reflections and philosophical concerns in the better known work of this dynamic and profoundly original Irish filmmaker, it also looks at his short film – 3 Joes – and his little-seen student film Mendel. As the first sustained study of Abrahamson’s engaging and cinematically rich work, Barry Monahan’s book sheds light on the aesthetic wealth of the artist and connects his stylistic innovations to the context of his projects’ socio-cultural background, to his own influences in modern cinema – going beyond Irish film, to reflect upon the works of auteurs such as Bergman, Tarkovsky, Kubrick, and Kaurismaki among others – and to a broader reflection on what his canon has to contribute to the philosophy of cinema, art, and questions about human existence in the 21st century.

Francophone belgian cinema

Автор: Steele, Jamie
Название: Francophone belgian cinema
ISBN: 1474420761 ISBN-13(EAN): 9781474420761
Издательство: Bloomsbury Academic
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Цена: 15048.00 р.
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Описание: Considers transnational, national and regional concepts within contemporary francophone Belgian cinema.

The Ironic Filmmaking of Stephen Frears

Автор: Lesley Brill
Название: The Ironic Filmmaking of Stephen Frears
ISBN: 1501320335 ISBN-13(EAN): 9781501320330
Издательство: Bloomsbury Academic
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Цена: 17424.00 р.
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Описание: Stephen Frears has a career approaching over half-a-century, directing films of astonishing variety, beauty, and daring, and yet many often have trouble remembering his name. The Ironic Filmmaking of Stephen Frears celebrates this great filmmaker, beginning with a short biography of Frears, general observations on unifying themes and styles in his oeuvre, and the characterization of his manner of directing. By focusing on 10 key films, Lesley Brill finds coherence in Frears' characteristic irony and in his concentration on many kinds of love. In movies such as My Beautiful Laundrette, Dangerous Liaisons, High Fidelity, The Queen, Philomena, and many others, Frears portrays widely varied situations and characters with a combination of insight, skepticism, and sympathy. He has the passionate, unjudgmental focus of an artist who stands simultaneously at a distance from his subjects and within their worlds. Through Frears' work is widely admired, Brill argues that he has attracted little scholarly writing because of a combination of the diffidence of his self-presentation and the difficulty of explicating the complex ideas and characters of his films. The Ironic Filmmaking of Stephen Frears is meant to inspire others to further examine his films individually and his career as a whole.

Esfir Shub: Pioneer of Documentary Filmmaking

Автор: Ilana Leah Shub-Sharp
Название: Esfir Shub: Pioneer of Documentary Filmmaking
ISBN: 1501376519 ISBN-13(EAN): 9781501376511
Издательство: Bloomsbury Academic
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Цена: 15840.00 р.
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Описание: Esfir Shub was the only prominent female director of nonfiction film present at the dawning of the Soviet film industry. She was, in fact, the first woman both to write critical texts on cinema and then practically apply these theorisations in her own films. As such, her syncretism of cinema theory and praxis inspired her to ask questions regarding both the nature of nonfiction film, such as the problem of authenticity and reality, and the function of the artist in society; issues which are still relevant in contemporary discussions about the documentary. Accordingly, this book demonstrates Shub’s position not only as a significant filmmaker and recognised member of the early Soviet avant-garde but also as a key figure in global cinema history. Shub deserves recognition both as the founder and ardent promoter of the compilation film genre and as a pioneer of the theory and practice of documentary filmmaking.

Ironic Filmmaking of Stephen Frears

Автор: Brill Lesley
Название: Ironic Filmmaking of Stephen Frears
ISBN: 1501340166 ISBN-13(EAN): 9781501340161
Издательство: Bloomsbury Academic
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Цена: 5542.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Stephen Frears has a career approaching over half-a-century, directing films of astonishing variety, beauty, and daring, and yet many often have trouble remembering his name. The Ironic Filmmaking of Stephen Frears celebrates this great filmmaker, beginning with a short biography of Frears, general observations on unifying themes and styles in his oeuvre, and the characterization of his manner of directing. By focusing on 10 key films, Lesley Brill finds coherence in Frears' characteristic irony and in his concentration on many kinds of love. In movies such as My Beautiful Laundrette, Dangerous Liaisons, High Fidelity, The Queen, Philomena, and many others, Frears portrays widely varied situations and characters with a combination of insight, skepticism, and sympathy. He has the passionate, unjudgmental focus of an artist who stands simultaneously at a distance from his subjects and within their worlds. Through Frears' work is widely admired, Brill argues that he has attracted little scholarly writing because of a combination of the diffidence of his self-presentation and the difficulty of explicating the complex ideas and characters of his films. The Ironic Filmmaking of Stephen Frears is meant to inspire others to further examine his films individually and his career as a whole.

The Cinema of Stephanie Rothman: Radical Acts in Filmmaking

Автор: Alicia Kozma
Название: The Cinema of Stephanie Rothman: Radical Acts in Filmmaking
ISBN: 149684100X ISBN-13(EAN): 9781496841001
Издательство: Mare Nostrum (Eurospan)
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Цена: 4389.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: The rare woman director working in second-wave exploitation, Stephanie Rothman (b. 1936) directed seven successful feature films, served as the vice president of an independent film company, and was the first woman to win the Directors Guild of America’s student filmmaking prize. Despite these career accomplishments, Rothman retired into relative obscurity. In The Cinema of Stephanie Rothman: Radical Acts in Filmmaking, author Alicia Kozma uses Rothman’s career as an in-depth case study, intertwining historical, archival, industrial, and filmic analysis to grapple with the past, present, and future of women’s filmmaking labor in Hollywood. Understanding second wave exploitation filmmaking as a transitory space for the industrial development of contemporary Hollywood that also opened up opportunities for women practitioners, Kozma argues that understudied film production cycles provide untapped spaces for discovering women’s directorial work. The professional career and filmography of Rothman exemplify this claim. Rothman also serves as an apt example for connecting the structure of film histories to the persistent strictures of rhetorical language used to mark women filmmakers and their labor. Kozma traces these imbrications across historical archives. Adopting a diverse methodological approach, The Cinema of Stephanie Rothman shines a needed spotlight on the problems and successes of the memorialization of women’s directorial labor, connecting historical and contemporary patterns of gendered labor disparity in the film industry. This book is simultaneously the first in-depth scholarly consideration of Rothman, the debut of the most substantive archival materials collected on Rothman, and a feminist political intervention into the construction of film histories.

Independent Female Filmmakers

Название: Independent Female Filmmakers
ISBN: 0815373031 ISBN-13(EAN): 9780815373032
Издательство: Taylor&Francis
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Цена: 22202.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

Independent Female Filmmakers collects original and previously published essays, interviews, and manifestos from some of the most defining and groundbreaking independent female filmmakers of the last 40 years. Featuring material from the seminal magazine The Independent Film and Video Monthly--a leading publication for independent filmmakers for several decades--as well as new interviews conducted with the filmmakers, this book, edited by Michele Meek, presents a unique perspective into the ethnically and culturally diverse voices of women filmmakers whose films span narrative, documentary, and experimental genres and whose work remains integral to independent film history from the 1970s to the present.

Independent Female Filmmakers also includes a biographical profile of each filmmaker, as well as an online resource with links to additonal interviews and a sample course syllabus.

The filmmakers in this book include:

- Lisa Cholodenko (High Art, The Kids Are All Right)

- Martha Coolidge (Valley Girl, Real Genius, Introducing Dorothy Dandridge)

- Cheryl Dunye (The Watermelon Woman, Stranger Inside)

- Miranda July (The Future, Me And You And Everyone We Know)

- Barbara Kopple (Harlan County USA, Wild Man Blues)

- Maria Maggenti (The Incredibly True Adventures of Two Girls in Love)

- Deepa Mehta (Fire, Earth, Water)

- Trinh T. Minh-ha (Surname Viet, Given Name Nam, Night Passage)

. . . and more

Secrets of Screen Directing

Автор: Tucker
Название: Secrets of Screen Directing
ISBN: 0367137445 ISBN-13(EAN): 9780367137441
Издательство: Taylor&Francis
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Цена: 6123.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Secrets of Screen Directing: The Tricks of the Trade is a practical guide which bridges the gap between classroom learning and the realities of being on set. Patrick Tucker uses over 200 illustrations, alongside insights and techniques gained from over 40 years of directing to open up the craft of effectively telling stories.

Third face

Автор: Fuller, Samuel
Название: Third face
ISBN: 1557836272 ISBN-13(EAN): 9781557836274
Издательство: Неизвестно
Рейтинг:
Цена: 3171.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Sam Fuller was a prolific director & writer, who made 29 movies between 1949 & 1989, & wrote 11 novels. His tough, all-action movies included `Merrill`s Marauders`, `The Big Red One` and the controversial ` White Dog`.

The Cinema of Stephanie Rothman: Radical Acts in Filmmaking

Автор: Alicia Kozma
Название: The Cinema of Stephanie Rothman: Radical Acts in Filmmaking
ISBN: 1496840992 ISBN-13(EAN): 9781496840998
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 13794.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: The rare woman director working in second-wave exploitation, Stephanie Rothman (b. 1936) directed seven successful feature films, served as the vice president of an independent film company, and was the first woman to win the Directors Guild of America’s student filmmaking prize. Despite these career accomplishments, Rothman retired into relative obscurity. In The Cinema of Stephanie Rothman: Radical Acts in Filmmaking, author Alicia Kozma uses Rothman’s career as an in-depth case study, intertwining historical, archival, industrial, and filmic analysis to grapple with the past, present, and future of women’s filmmaking labor in Hollywood. Understanding second wave exploitation filmmaking as a transitory space for the industrial development of contemporary Hollywood that also opened up opportunities for women practitioners, Kozma argues that understudied film production cycles provide untapped spaces for discovering women’s directorial work. The professional career and filmography of Rothman exemplify this claim. Rothman also serves as an apt example for connecting the structure of film histories to the persistent strictures of rhetorical language used to mark women filmmakers and their labor. Kozma traces these imbrications across historical archives. Adopting a diverse methodological approach, The Cinema of Stephanie Rothman shines a needed spotlight on the problems and successes of the memorialization of women’s directorial labor, connecting historical and contemporary patterns of gendered labor disparity in the film industry. This book is simultaneously the first in-depth scholarly consideration of Rothman, the debut of the most substantive archival materials collected on Rothman, and a feminist political intervention into the construction of film histories.

Esfir Shub: Pioneer of Documentary Filmmaking

Автор: Ilana Shub Sharp
Название: Esfir Shub: Pioneer of Documentary Filmmaking
ISBN: 1501376489 ISBN-13(EAN): 9781501376481
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 4592.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Esfir Shub was the only prominent female director of nonfiction film present at the dawning of the Soviet film industry. She was, in fact, the first woman both to write critical texts on cinema and then practically apply these theorisations in her own films. As such, her syncretism of cinema theory and praxis inspired her to ask questions regarding both the nature of nonfiction film, such as the problem of authenticity and reality, and the function of the artist in society; issues which are still relevant in contemporary discussions about the documentary. Accordingly, this book demonstrates Shub’s position not only as a significant filmmaker and recognised member of the early Soviet avant-garde but also as a key figure in global cinema history. Shub deserves recognition both as the founder and ardent promoter of the compilation film genre and as a pioneer of the theory and practice of documentary filmmaking.


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