Aspectual Substitution: Verbal Change in New Testament Quotations of the Septuagint examines quotations where the New Testament author quotes the Septuagint but changes the tense-form of the verb, substituting one aspectual value for another, often in furtherance of a typological, prophetic, or theological connection. Taking into account various models of the verb in Koine Greek, including tenseless and aspect-prominent proposals, this study employs contrastive substitution to analyze the significance of aspectual substitution in quotations, concluding that the future tense-form encodes perfective aspect and is marked for future temporal reference.
Автор: Sperber Alexander Название: New Testament and Septuagint ISBN: 1725280426 ISBN-13(EAN): 9781725280427 Издательство: Неизвестно Рейтинг: Цена: 2207.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book explores various aspects of intertextuality in the LXX Twelve Prophets, with a special emphasis on Hosea, Amos and Micah. The first chapter introduces the topic of intertextuality, discusses issues relating to the Twelve Prophets and their translator and concludes with various methodological considerations. Chapter two deals with the lexical sourcing of the prophets in their Hellenistic milieu and tests proposed theories of influence from the Pentateuch.The third chapter deals with standard expressions used by the translator, even in places where the Hebrew does not correspond. The fourth chapter investigates the use of catchwords that the Greek translator identified in his Hebrew Vorlage and that function for him as links between two or more texts. Finally, the fifth chapter examines cases where the translator understands the text to be alluding to specific biblical stories and events.
Описание: For hundreds of years, disputes on the origin of the Septuagint, a biblical text that was translated from Hebrew into Greek in the third century BCE, and the number of its translators have been ongoing. In Multiple Authorship of the Septuagint Pentateuch, Hayeon Kim provides a clear solution to the unsolved questions, using an objective and consistent set of translation-technique criteria, and traditional and computerized tools of analysis. According to the author, the translation of the Septuagint Pentateuch has two facets: homogeneity and heterogeneity. The common socio-religious milieu of the translators is apparent in the similar translation techniques, however, the individual characters of the five translators are also evident in their distinct translation styles.
This book includes papers given at the XVI Congress of the International Organization for Septuagint and Cognate Studies (IOSCS), held in Stellenbosch, South Africa, in 2016. Essays from scholars from Africa, Asia, Europe, and North America identify and discuss new topics and lines of inquiry and develop fresh insights and arguments in existing areas of research into the Septuagint and cognate literature. This is an important new resource for scholars and students who are interested in different methods of studying the literature included in Septuagint corpora, the theology and reception of these texts, as well as the works of Josephus.
This volume examines numerous Hebrew wordplays not identified and discussed in previous research, and the technique of the Septuagint translators, by offering another criterion of evaluation - essentially, their concern about the style of translating Hebrew into Greek. Elizabeth Backfish's study analyzes seventy-four wordplays employed by the Hebrew poets of Psalms 90-106, and how the Septuagint renders Hebrew wordplay in Greek.
Backfish estimates that the Septuagint translators were able to render 31% of the Hebrew semantic and phonetic wordplays (twenty-four total), most of which required some sort of transformation, or change, to the text in order to function in Greek. After providing a thorough summary of research methods on wordplay, definitions and research methodology, Backfish summarizes all examples of wordplay within the Fourth Psalter, and concludes with examples of the wordplay's replication, similar rendition or textual variation in the Septuagint. Emphasising the creativity and ingenuity of the Septuagint translators' work in passages that commentators often too quickly identify as the results of scribal error or a variant Vorlage from the Masoretic text, Backfish shows how the aptitude and flexibility displayed in the translation technique also contributes to conversations in modern translation studies.
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