The Evolution of Electronic Dance Music, Ewa Mazierska, Les Gillon, Tony Rigg
Автор: Felton David Название: Secrets of Dance Music Production ISBN: 0956446035 ISBN-13(EAN): 9780956446039 Издательство: Неизвестно Рейтинг: Цена: 5504.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: (Book). The world's leading electronic music production magazine delivers the definitive guide to making cutting-edge dance music. Featuring 312 color pages packed with technique, tips, illustrations and hands-on walkthroughs, The Secrets of Dance Music Production pulls together everything you need to take a mix from concept to club-ready master whether you make house or techno, 2-step or D&B, EDM or trance. Topics include studio fundamentals, the golden rules of mixing, essential techniques, improving writing chops, bigger beats, learning from the masters and more.
Автор: Holmes Thom Название: Electronic and Experimental Music ISBN: 113879273X ISBN-13(EAN): 9781138792739 Издательство: Taylor&Francis Рейтинг: Цена: 7501.00 р. Наличие на складе: Нет в наличии.
Описание:
Electronic and Experimental Music: Technology, Music, and Culture provides a comprehensive history of electronic music, covering key composers, genres, and techniques used in analog and digital synthesis. This textbook has been extensively revised with the needs of students and instructors in mind. The reader-friendly style, logical organization, and pedagogical features of the fifth edition allow easy access to key ideas, milestones, and concepts.
New to this edition:
A companion website, featuring key examples of electronic music, both historical and contemporary.
Listening Guides providing a moment-by-moment annotated exploration of key works of electronic music.
A new chapter Contemporary Practices in Composing Electronic Music.
Updated presentation of classic electronic music in the United Kingdom, Italy, Latin America, and Asia, covering the history of electronic music globally.
An expanded discussion of early experiments with jazz and electronic music, and the roots of electronic rock.
Additional accounts of the vastly under-reported contributions of women composers in the field.
More photos, scores, and illustrations throughout.
The companion website features a number of student and instructor resources, such as additional Listening Guides, links to streaming audio examples and online video resources, PowerPoint slides, and interactive quizzes."
Автор: Holmes, Thom Название: Electronic and Experimental Music ISBN: 1138365467 ISBN-13(EAN): 9781138365469 Издательство: Taylor&Francis Рейтинг: Цена: 8114.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Electronic and Experimental Music: Technology, Music, and Culture, Sixth Edition, presents an extensive history of electronic music-from its historical beginnings in the late nineteenth century to its everchanging present-recounting the musical ideas that arose in parallel with technological progress.
Описание: From massive raves sprouting around the London orbital at the turn of the 1990s to events operated under the control of corporate empires, EDM (Electronic Dance Music) festivals have developed into cross-genre, multi-city, transnational mega-events. From free party teknivals proliferating across Europe since the mid-1990s to colossal corporate attractions like Tomorrowland Electric Daisy Carnival and Stereosonic, and from transformational and participatory events like Burning Man and events in the UK outdoor psytrance circuit, to such digital arts and new media showcases as Barcelona’s Sonar Festival and Montreal’s MUTEK, dance festivals are platforms for a variety of arts, lifestyles, industries and policies. Growing ubiquitous in contemporary social life, and providing participants with independent sources of belonging, these festivals and their event-cultures are diverse in organization, intent and outcome. From ethically-charged and “boutique” events with commitments to local regions to subsidiaries of entertainment conglomerates touring multiple nations, EDM festivals are expressions of “freedoms” revolutionary and recreational. Centres of “EDM pop”, critical vectors in tourism industries, fields of racial distinction, or experiments in harm reduction, gifting culture, and co-created art, as this volume demonstrates, diversity is evident across management styles, performance legacies and modes of participation. Weekend Societies is a timely interdisciplinary volume from the emergent field of EDM festival and event-culture studies. Echoing an industry trend in world dance music culture from raves and clubs towards festivals, Weekend Societies features contributions from scholars of EDM festivals showcasing a diversity of methodological approaches, theoretical perspectives and representational styles. Organised in four sections: Dance Empires; Underground Networks; Urban Experiments; Global Flows, Weekend Societies illustrates how a complex array of regional, economic, social, cultural and political factors combine to determine the fate of EDM festivals that transpire at the intersections of the local and global.
Описание: A massive dance music revolution swept across Europe and Britain beginning early in the 1980s. Merging rock, new wave, disco and worldbeat sounds, an explosion of exciting and increasingly electronic dance-pop music caused a sensation worldwide. In this book of original interviews, 32 of the era’s most celebrated singers, songwriters, producers and industry professionals share fascinating memories of their lives and careers during this extraordinary time. They include Thomas Anders (Modern Talking’s “You’re My Heart, You’re My Soul”), Pete Burns (Dead or Alive’s “You Spin Me Round (Like A Record)”), Desireless (“Voyage Voyage”), Phil Harding (PWL Mixmaster), Junior (“Mama Used To Say”), Leee John (Imagination’s “Just An Illusion”), Liz Mitchell (Boney M.’s 1988 “Megamix”), Fab Morvan (Milli Vanilli’s “Girl You Know It’s True”), Taco (“Putting On the Ritz”), Jennifer Rush (“The Power of Love”), Sabrina (“Boys”), Spagna (“Call Me”), Amii Stewart (“Knock On Wood”), Yazz (“The Only Way Is Up”) and many more. Special commentary by Academy Award winner Mel Brooks and Dallas TV star Audrey Landers.
Описание: Dance music has seen an unprecedented explosion in the 21st century as a stampede of subgenres, such as dance-pop and EDM (electronic dance music), have come to define the pop music scene worldwide. In this collection of original interviews, 33 hitmakers from 11 countries discuss their lives and careers in this still-unfolding new age.
Learn to Produce EDM Like a Pro & Take Your Music To A Whole New Level
Why do some producers make great music after just one year, while others still sound average?
The answer? It's how they learn and practice.
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If you love EDM and you just want to make it. But you don't know where to start. Or maybe you just want to upgrade your production skills to get signed then this book will show you how.
With all the music production advice out there, it can be very easy to get overwhelmed. You may get a vague idea of the general topic. But you're more then likely to be left confused and you definitely won't have any workable knowledge.
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Save yourself time going through low quality YouTube tutorials and get all the information you need in one place. Produce your an EDM song from scratch or from using the ideas in this book.
In this book you will discover
The Mindset to Making More Music
Create Catchy Arrangements, Buildups, Drops and Intros
Professional Singer Songwriter Secrets Revealed
Learn About EQ, Compression, Reverb, Delay, Sidechain and More
Create Chord Progressions and Catchy Melodies
How to Finish Your Ideas
The Single Best Piece of Mixing Advice Ever
Production Mistakes and How to Avoid Them
Mastering Explained
The Fundamentals You Need to Succeed
And Much, Much More...
So if you've ever wanted a single book that gives you all the knowledge to being a successful EDM Producer, then Read This Book
Автор: Simon A. Morrison Название: Dancefloor-Driven Literature: The Rave Scene in Fiction ISBN: 1501357670 ISBN-13(EAN): 9781501357671 Издательство: Bloomsbury Academic Рейтинг: Цена: 17424.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Almost as soon as 'club culture' took hold - during the UK’s Second Summer of Love in 1988 - its sociopolitical impact became clear, with journalists, filmmakers and authors all keen to use this cultural context as source material for their texts. This book uses that electronic music subculture as a route into an analysis of these principally literary representations of a music culture: why such secondary artefacts appear and what function they serve. The book conceives of a new literary genre to accommodate these stories born of the dancefloor - 'dancefloor-driven literature'. Using interviews with Irvine Welsh, author of Trainspotting (1994), alongside other dancefloor-driven authors Nicholas Blincoe and Jeff Noon as case studies, the book analyzes three separate ways writers draw on electronic dance music in their fictions, interrogating that very particular intermedial intersection between the sonic and the linguistic. It explores how such authors write about something so subterranean as the nightclub scene, and analyses what specific literary techniques they deploy to write lucidly and fluidly about the metronomic beat of electronic music and the chemical accelerant that further alters that relationship.
Описание: At the end of his life, Pierre Schaeffer commented that his musical and sound experiments had attempted to go beyond 'do-re-mi'. This had a direct bearing on Einst 1/4rzende Neubauten's musical philosophy and work, with the musicians always striving to extend the boundaries of music in sound, instrumentation and purpose. The group are one of the few examples of 'rock-based' artists who have been able to sustain a breadth and depth of work in a variety of media over a number of years while remaining experimental and open to development. Jennifer Shryane provides a much-needed analysis of the group's important place in popular/experimental music history. She illustrates their innovations with found- and self-constructed instrumentation, their Artaudian performance strategies and textual concerns, as well as their methods of independence. Einst 1/4rzende Neubauten have also made a consistent and unique contribution to the development of the independent German Language Contemporary Music scene, which although often acknowledged as influential, is still rarely examined.
Автор: Roads Curtis Название: Composing Electronic Music ISBN: 0195373243 ISBN-13(EAN): 9780195373240 Издательство: Oxford Academ Рейтинг: Цена: 8712.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Electronic music evokes new sensations, feelings, and thoughts in both composers and listeners. Composing Electronic Music outlines a new theory based on the powerful toolkit of electronic music techniques.
Автор: Summers Tim Название: Understanding Video Game Music ISBN: 1108413420 ISBN-13(EAN): 9781108413428 Издательство: Cambridge Academ Рейтинг: Цена: 3960.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Music is central to the experience of interacting with video games. In this book, Tim Summers explores the functions of music in video games, offers new insights into well-loved game music and provides a wide array of new tools and concepts for its analysis.
Автор: Armstrong Название: Technology and the Gendering of Music Education ISBN: 1138274577 ISBN-13(EAN): 9781138274570 Издательство: Taylor&Francis Рейтинг: Цена: 8114.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Critical of technologically determinist assumptions underpinning current educational policy, Victoria Armstrong argues that this growing technicism has grave implications for the music classroom where composition is often synonymous with the music technology suite. The use of computers and associated compositional software in music education is frequently decontextualized from cultural and social relationships, thereby ignoring the fact that new technologies are used and developed within existing social spaces that are always already delineated along gender lines. Armstrong suggests these gender-technology relations have a profound effect on the ways adolescents compose music as well as how gendered identities in the technologized music classroom are constructed. Drawing together perspectives from the sociology of science and technology studies (STS) and the sociology of music, Armstrong examines the gendered processes and practices that contribute to how students learn about technology, the repertoire of teacher and student talk, its effect on student confidence and the issue of male control of technological knowledge. Even though girls and female teachers have technological knowledge and skill, the continuing material and symbolic associations of technology with men and masculinity contribute to the perception of women as less able and less interested in all things technological. In light of the fact that music technology is now central to many music-making practices across all sectors of education from primary, secondary through to higher education, this book provides a timely critical analysis that powerfully demonstrates why the relationship between gender and music technology should remain an important empirical consideration.
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